Detailed processing on small inclusions

Small roller 10 cm Our wide, short-pile rollers allow you to process resin surfaces and floors with high precision without leaving an excessive dose of resin. In addition, their structure allows you to work accurately and evenly, ensauring perfect results. Precise and uniform processing: Thanks to the short pile, our roller allows you to work with precision and uniformity, providing perfect results without leaving an excessive dose of resin on the surface. Large roller 20cm If you need to cover large surfaces in a short time, but our large short pile roller for resins now and get perfect and uniform results! Sponge Roller For Resin Floors & Surfaces Uniform self-leveling sponge: The sponge of our roller allows you to cast a generous dose of resin that will self-level evenly on the surface, ensuring perfect and even results without any imperfection. If you want to achieve perfect and even surfaces in your resin floor and wall designs, buy our resin floor and wall sponge roller now!

CASTING LIQUID SILICONE RUBBER – for mold-making. Two-component A + B. Liquid silicone rubber for mold-making; able to penetrate everywhere and to reproduce every small detail. It is suitable for making molds for small objects, even with very fine details and noticeable undercuts. Liquid Silicone Rubber for Making Highly Detailed Molds. Compatible with Resin, Soap and Polymer Pastes. Ideal for multiple reproductions of models and complex shapes and jewelry of any kind. White Color – Mixing Ratio: 100: 2 by weight (for 20 Shore type), 100:3 by weight (for 15 Shore type). Complete cure in 12 hours. Liquid medium-hard condensation pourable silicone rubber. It possesses high mechanical characteristics, and it is suited for the preparation of molds with fine details: reproduction of bronze statues (artistic foundries), serial reproduction of complex objects in resin (polyester, polyurethane and epoxy), in plaster, natural and synthetic wax, concrete (e.g., statues, decorative garden items, decorative candles, prototypes, decorative ceramics, rosettes, frames, faux wood decorations, etc.). Castings for technical products. Technical Features: + Mix ratio: 100: 2 by weight (for 20 Shore type), 100:3 by weight (for 15 Shore type), + Pot Life – 60-80 min; + Pouring time – 60-80 min; + Demold time – 12 hours; + Hardness – 20 + -3 Shore A + Color – white, semi-gloss.

Amber Onyx Effect Kit with Epoxy resin: The 2.49 kg kit (1.66 + 0.83) covers 1 square meter (+ 10 g Sahara white pigment + 25 ml white dye + 25 ml brown dye + 25 ml OXIDE yellow dye) The 4.15 kg kit (2*1.66 + 0.83) covers 2 square meters (+ 2*10 g Sahara white pigment +2* 25 ml white dye +2* 25 ml brown dye +1*25 ml OXIDE yellow dye)  The 8.33 kg kit covers 4 square meters (+ 4*10 g Sahara white pigment +4* 25 ml white dye +3* 25 ml brown dye+ 2*25 ml OXIDE yellow dye )  The 16.66kg kit covers 8 square meters (+8*10g Sahara white pigment +8*25ml white dye +4*25ml brown dye + 2 * 25 ml OXIDE Yellow dye)  Kit Contents: 2.49 kg, 4.15 kg, 8.33 kg or 16.66 kg of Art Coat Epoxy "Art Pro" for a high quality base  White Dye, Oxide Yellow Dye and Brown Dye from the "Colourful" Line for the perfect caramel stone shades -  White Metallica Sahara pigment for that extra touch of sparkle Each kit includes dyes and pigment in sufficient quantity for the amount of resin required.  Choose the Amber Onyx Effect Kit with Epoxy resin for an easy and elegant transformation of the worktop. Purchase your kit now and elevate your space with the warmth and beauty of caramel marble.  Guide Instructions:  Step N1: Primer  Start by carefully measuring the amount needed to cover the surface based on the consumption of 150 g/m2, making sure to follow the proportions indicated to obtain a homogeneous mixture. Once the base has been prepared, proceed with adding the dye, choosing between white or black depending on your needs. The quantity of colourant to add to the mixture can be measured in a few drops (max 5% by volume). This step is crucial to achieve the desired colour and ensure uniformity of the application.  Before applying the primer, it is essential that the surface intended for treatment is adequately prepared. Sand the surface with a coarse grit (40 or 60) before any operation. Make sure it's completely clean, using a soft cloth or brush to remove any pigment, dirt or debris. The surface must also be completely dry; residual humidity can compromise the adhesion of the primer and its effectiveness in sealing the surface.  Once the surface is ready, apply the mixture evenly, using a suitable tool such as a brush, roller or spatula, depending on the size of the area to be treated and your personal preference. The key is to get a thin, even layer that can cover the entire area without leaving gaps or excessive product build-up.. After application, it is essential to allow the primer to dry completely before proceeding with further treatments or finishes on the surface. The recommended waiting time is 12 hours; this range may vary slightly depending on environmental conditions, such as humidity and temperature, but offers a good compromise to ensure the mixture has time to dry and adhere properly. During this period, avoid touching or stressing the treated surface to ensure optimal results. Don't worry if you notice any discrepancies on the surface, the next main pour will level everything perfectly.  Step N2: application  Start by applying masking tape around the perimeter of your countertop to contain the epoxy you're about to pour. This step is essential to ensure the resin stays where it is needed. After applying the resin, wait about 1.5 hours before gently removing the tape. To ensure coverage is even and complete, plan to use approximately 1.6kg of resin for every square meter of surface area.  When you are ready to mix the resin, use a drill equipped with a paddle mixer for quick and even action (use at low speed), taking about 2 minutes for this operation. If you prefer to mix by hand, be prepared to take double the time. Don't forget to scrape the sides and bottom of the container halfway through the process with a stick to ensure all the material is mixed well. Next, separate the already mixed resin into different glasses and add the desired colours, mixing the different colours in the different glasses until you obtain an intense and uniform colour per single glass.  To create a striking visual effect, pour the coloured resin in random layers into a larger bucket, being careful not to mix the colours together too much. After filling the bucket, spread the contents over the surface of the worktop, leaving a small amount of resin aside to finish the edges later. To remove trapped air bubbles, gently run a propane torch or heat gun over the surface.  Once the adhesive tapes have been removed, approximately 1.5 hours after application, if there are any dry edges, moisten them slightly by wearing a protective glove to promote an even appearance. Use appropriate tools, such as spatulas or plastic scrapers, to spread and level the resin along the edges, making sure to cover the entire area well. After letting the resin cure for 24 hours, you can apply a clear top coat or PoliShield scratch-resistant paint to further protect the surface.  Finally, for even more refined visual effects, spray 99.9% isopropyl alcohol onto the surface just before the resin begins to fully harden. This will create unique lacy textures. Remember that when you remove the tape, it is essential that the resin is partially hardened, neither too liquid nor completely solid, to avoid unwanted drips.   Attention! Safety Guidelines for Using Isopropyl Alcohol (99.9%) Isopropyl alcohol (IPA) is a highly flammable substance. Improper use—especially near heat sources like torches or heat guns—can result in fire or explosion. To ensure safe use, follow these precautions: Primary Risks Highly flammable: IPA vapors can ignite from sparks, open flames, or hot surfaces. Forms explosive vapor-air mixtures, especially in enclosed or poorly ventilated spaces. Strictly Prohibited: Using gas torches or heat guns near areas treated with IPA. Spraying IPA near active heat sources. Storing IPA near flames, heaters, or hot tools. Recommended Safety Measures: 1. Ventilation: Always work in a well-ventilated area when using IPA. 2. Wait Time: After applying IPA, wait at least 5–10 minutes to allow complete evaporation before using any heat tools. 3. Safe Distance: Keep IPA containers at least 2 meters (6 feet) away from heat or flame sources. 4. Storage: Store IPA in a tightly sealed container, away from direct sunlight or high temperatures. 5. Fire Safety: Have a CO₂ or dry chemical fire extinguisher nearby when working with flammable substances and open flames. In Case of Fire: Do not use water to extinguish the fire. Use an appropriate extinguisher, cut off air supply if safe, and call emergency services if needed.

Carbon steel. Ideal for model building, clock repairs and other delicate work. Includes straight point, straight jaw, straight jaw with cushioned grip, angled jaw, angled jaw with cushioned grip, duck bill and bent cross with cushioned grip. Carbon steel Ideal for model building, clock repairs & other delicate work Includes straight point, straight jaw, straight jaw with cushioned grip, angled jaw, angled jaw with cushioned grip, bent cross with cushioned jaw & duck bill Features: Variety of Tips: The set includes pointed, slanted, and flat-tipped tweezers, among others, catering to different needs such as placing small objects, handling delicate components, and applying intricate details. Durable Construction: Made from high-quality stainless steel, these tweezers are built to last. They are resistant to corrosion and staining, ensuring long-term reliability even when working with sticky or resin-coated materials. Precision Handling: The fine tips and ergonomic design provide excellent control and accuracy, making it easy to manipulate tiny elements or achieve precise placements within your epoxy resin projects. Comfortable Grip: Each tweezer is designed with a comfortable handle that reduces hand strain during extended use, allowing for steady and precise movements. Versatile Use: Ideal for a range of tasks, including embedding decorations, positioning small items, or fine-tuning details, this set is perfect for both professional and hobbyist resin crafters. With this Tweezer Set, you'll be equipped to handle all aspects of your epoxy resin work with confidence, achieving professional-quality results and enhancing your overall crafting experience.

The structure of the lessons that you will get access to: Preparation of the workspace and mixing of resin. We will show you how to quickly level the work surface, what temperature and what other conditions are needed for a good solidification of the resin. Let’s prepare the moulds for pouring. We will show you how to mix the resin, give you ready-made calculations of proportions and teach you how to use the automatic proportion calculator in a couple of clicks. Working with glitters: Let’s explain how to add our glitter and sparkles to the filling so that they do not float to the surface and how to ensure we don’t over-pour or use too little resin. Let’s show you three different ways to add glitters. Dropping ink into the resin: This is where the magic happens, because the process of dropping ink into the resin is simply mesmerising! The inks can be seen spinning in the resin! We prepare the ink, and drop it into the resin at the right time and in a way and sequence that creates the most beautiful and unique results – we will show everything! In the course, we shared 6 wonderful colour schemes for ink combinations from the PIÑATA line. After the course you will feel confident about which colours are better for which combination, and which colours can be diversified if desired. Finishing touches! We take the work out of the mould at the right time, and check the backdrop for sharp corners. If there are any found, we “smooth” them with a nail file as shown in the video. Also, here we will show you how to use a marker for creating gold or silver edges. The finishing layer: How to apply the finish correctly for the best effect. How to calculate the amount of resin for the finish of a decoration and how to overcome smudges, if they suddenly flow onto the back of the product. Bows: We will teach you how to tie a festive bow on a decoration so that it looks even more attractive and aesthetically pleasing, as well as beautifully hung on a festive tree. Bonus additional technique of filling “Silk” – how to do it and what will be needed for this? Bonus additional technique of filling “Flame ” – how to do it and what will be needed for this? Bonus additional technique for filling the “Cloud” – How is it done and what is needed for this? Bonus additional technique of filling with shiny ink-three options for working with them

"PURE MOLD": TRANSLUCENT AND FAST LIQUID SILICONE RUBBER FOR THE CREATION OF MOULDS COMPATIBLE WITH RESIN. 500 GR [1,10 LB] - A + B (250 GR + 250 GR) [0,55 LB + 0,55 LB] or 1000 GR [2,20 LB] - A + B (500 GR + 500 GR) [1,10 LB + 1,10 LB] Very easy to use silicone for creating detailed moulds of any size! Description. Liquid medium-hard condensation pourable silicone rubber (13 shore A). PURE MOLD is a two-component addition silicone rubber that vulcanizes at room temperature. Due to its remarkable fluidity, it is ideal even for the duplication of models with undercut areas. The main qualities of the product make it particularly suitable for the use of: epoxy resins, polyester, polyurethanes and acrylics, cements and plasters. + Liquid + Fast (6-8H) + Translucent + Resistant. It possesses high mechanical characteristics, and it is suited for the preparation of casts with considerable undercuts: reproduction of bronze statues (artistic foundries), serial reproduction of complex objects in resin (polyester, polyurethane and epoxy), in plaster, natural and synthetic wax, concrete (e.g. statues, decorative garden items, decorative candles, prototypes, decorative ceramics, rosettes, frames, faux wood decorations, etc.). Casts for technical products. AREAS OF APPLICATION Thanks to its considerable accuracy in reproduction, its high dimensional stability and its mechanical resistance, PURE MOLD silicone rubber is especially good for model and mould making. Its great fluidity and its high dimensional stability make it ideal for decorative pottery, ceramic and jewellery serigraphy and concrete moulding. Silicone rubber is compatible with the majority of Epoxy, Polyurethane and Acrylic resins, and with plaster and cement. Demould time: 4H Technical Features: * Colour Part A: Translucent * Colour Part B: Translucent * Mix ratio 1: 1 * Pre-catalyst mixing viscosity 4500 +/- 500 cP * Mixing time at 23°C (73°F) 1 ' * Working time at 23°C (73°F) 40 '- 50' * Demould time at 23°C (73°F) 180 ’ * Shore A hardness after 24 hours 13 +/- 2 ShA * Ultimate tensile strength 3.0 +/- 0.2 N/mm² * Elongation at break 450 +/- 20% * Tear resistance (Die B) 14 +/- N/mm. * Tear resistance (Die C) 9 +/- N/1mm Note: Do not use above 30°C [86 F]. For more safety information, please carefully read the Safety Data Sheet of all ingredients. WARNINGS: During processing, use protective masks, gloves, and other protective clothing. In case of contact with eyes, immediately rinse with cold water for 15 minutes and immediately consult a doctor. Download Non toxicity Certificate

Top Cucina Kit Carrara Marble Effect with Epoxy Resin: The 2.4 kg kit (1.6 + 0.8) covers 1 square meter (+ 10 g white metallic pigment + 25 ml white dye +25 ml black dye)  The 4 kg kit (2*1.6 + 0.8) covers 2 square meters (+ 2*10 g metallic pigment +2* 25 ml white dye + 2*25 ml black dye)  The 8 kg kit covers 4 square meters (+ 4*10 g metallic pigment +4* 25 ml white dye+ 4*25 ml black dye)  The 16 kg kit covers 8 square meters (+ 8*10 g white metallic pigment +8* 25 ml white dye 8*25 ml black dye)  Kit Contents: 2.4kg, 4kg, 8kg or 16kg of "Art Pro" Epoxy Art Coat for a high quality base  White dyeand Black of the "Colorfun" line for the perfect stone shades  White Metallica Sahara pigment for that extra touch of sparkle Good to add: To enhance the appeal of the design:: Isopropanol 99.9% (additional option, not included in the price) To make the coating last longer: Polishield 100 Gloss (additional option, not included in the price). The coverage of a 0.5 kg kit is approximately 4 m2 Each kit includes dyes and pigment in sufficient quantity for the amount of resin required.   HOW TO CREATE YOUR MARBLE EFFECT WITH EPOXY Guide Instructions:  Step N1: Primer  Start by carefully measuring the amount needed to cover the surface based on the consumption of 150 g/m2, making sure to follow the proportions indicated to obtain a homogeneous mixture. Once the base has been prepared, proceed with adding the dye, choosing between white or black depending on your needs. The quantity of colourant to add to the mixture can be measured in a few drops (max 5% by volume). This step is crucial to achieve the desired colour and ensure uniformity of the application. Before applying the primer, it is essential that the surface intended for treatment is adequately prepared. Sand the surface with a coarse grit (40 or 60) before any operation. Make sure it's completely clean, using a soft cloth or brush to remove any pigment, dirt or debris. The surface must also be completely dry; residual humidity can compromise the adhesion of the primer and its effectiveness in sealing the surface.  Once the surface is ready, apply the mixture evenly, using a suitable tool such as a brush, roller or spatula, depending on the size of the area to be treated and your personal preference. The key is to get a thin, even layer that can cover the entire area without leaving gaps or excessive product buildup.. After application, it is essential to allow the primer to dry completely before proceeding with further treatments or finishes on the surface. The recommended waiting time is 12 hours; this range may vary slightly depending on environmental conditions, such as humidity and temperature, but offers a good compromise to ensure the mixture has time to dry and adhere properly. During this period, avoid touching or stressing the treated surface to ensure optimal results. Don't worry if you notice any discrepancies on the surface, the next main pour will level everything perfectly.  Step N2: application  Start by applying masking tape around the perimeter of your countertop to contain the epoxy you're about to pour. This step is essential to ensure the resin stays where it is needed. After applying the resin, wait about 1.5 hours before gently removing the tape. To ensure coverage is even and complete, plan to use approximately 1.6kg of resin for every square meter of surface area.  When you are ready to mix the resin, use a drill equipped with a paddle mixer for quick and even action (use at low speed), taking about 2 minutes for this operation. If you prefer to mix by hand, be prepared to take double the time. Don't forget to scrape the sides and bottom of the container halfway through the process with a stick to ensure all the material is mixed well. Next, separate the already mixed resin into different glasses and add the desired colours, mixing the different colours in the different glasses until you obtain an intense and uniform colour per single glass.  To create a striking visual effect, pour the coloured resin in random layers into a larger bucket, being careful not to mix the colours together too much. After filling the bucket, spread the contents over the surface of the worktop, leaving a small amount of resin aside to finish the edges later. To remove trapped air bubbles, gently run a propane torch or heat gun over the surface.   Once the adhesive tapes have been removed, approximately 1.5 hours after application, if there are any dry edges, moisten them slightly by wearing a protective glove to promote an even appearance. Use appropriate tools, such as spatulas or plastic scrapers, to spread and level the resin along the edges, making sure to cover the entire area well. After letting the resin cure for 24 hours, you can apply a clear top coat or PoliShield scratch-resistant paint to further protect the surface.  Finally, for even more refined visual effects, spray 99.9% isopropyl alcohol onto the surface just before the resin begins to fully harden. This will create unique lacy textures. Remember that when you remove the tape, it is essential that the resin is partially hardened, neither too liquid nor completely solid, to avoid unwanted drips.  Attention! Safety Guidelines for Using Isopropyl Alcohol (99.9%) Isopropyl alcohol (IPA) is a highly flammable substance. Improper use—especially near heat sources like torches or heat guns—can result in fire or explosion. To ensure safe use, follow these precautions: Primary Risks Highly flammable: IPA vapors can ignite from sparks, open flames, or hot surfaces. Forms explosive vapor-air mixtures, especially in enclosed or poorly ventilated spaces. Strictly Prohibited: Using gas torches or heat guns near areas treated with IPA. Spraying IPA near active heat sources. Storing IPA near flames, heaters, or hot tools. Recommended Safety Measures: 1. Ventilation: Always work in a well-ventilated area when using IPA. 2. Wait Time: After applying IPA, wait at least 5–10 minutes to allow complete evaporation before using any heat tools. 3. Safe Distance: Keep IPA containers at least 2 meters (6 feet) away from heat or flame sources. 4. Storage: Store IPA in a tightly sealed container, away from direct sunlight or high temperatures. 5. Fire Safety: Have a CO₂ or dry chemical fire extinguisher nearby when working with flammable substances and open flames. In Case of Fire: Do not use water to extinguish the fire. Use an appropriate extinguisher, cut off air supply if safe, and call emergency services if needed.

Perfectly protected against the sun – the first clear UV-protection for the outdoors! All resins / woods turn amber in colour over time, but UV-Protection-Oil has been developed to preserve epoxy's clear colour and slow down the yellowing process by (UV factor) 12 times compared to untreated epoxy. Ideal for River tables, epoxy furniture, exterior design pieces, windows, doors, claddings, fencings and other complex joinery. Natural oil-based and microporous finish, it does not crack, flake or peel. Water-resistant and dirt-resistant, it is moisture regulating and minimise the damaging. Description Natural oil-based clear satin wood finish for outdoor use. The microporous surface allows the wood to breathe and reduces swelling and shrinkage. Water-repellent, will not crack, peel or flake. As top coat on already treated coloured wood, Osmo UV-Protection-Oil Extra significantly extends the intervals between each restoration. When used as a single product, with a two-coat application it prevents greying on vertical surfaces with a 12 UV-protection factor compared to untreated wood. Osmo UV-Protection-Oil Extra features active ingredients to protect the coating against the action of mould, algae and fungi. No need to sand before application, easy and smooth. During coating, the finish is still workable. Recommended use Osmo UV-Protection-Oil Extra is perfect for all vertical wood surfaces for outdoor use: doors, windows, window shutters (dimensionally stable parts), parking places, resin coatings, balconies, fences, pergolas, and holiday cottages (dimensionally unstable parts). Also suitable for bamboo poles (e.g. in screens). Ingredients Based on natural plant oils (sunflower oil, soybean oil, thistle oil and linseed oil), desiccants and additives. Biocidal active ingredient: Propiconazole. Dearomatized turpentine (benzene-free). EU limit value for this product (cat. A/e): 400 g/l [0,02 lb/oz] VOC (2010). This product contains max. 400 g/l [0,02 lb/oz] VOC. Detailed declaration of ingredients available upon request. Storage Up to 5 years and longer if the can is stored in a dry place and hermetically sealed. If thickened by frost, store for 24-36 hours at room temperature before use. Surface preparation Wood surface must be clean, dry and frost-free (moisture content max. 20%). Osmo UV-Protection-Oil Extra is ready to use and should not be diluted. Stir well before use. If possible, please apply the first coat to all sides before installation. Particularly oily timbers need to weather off (for approximately 6 weeks) after installation. Thereby the wood will gain more absorbent power and the finish will penetrate optimally. A coloured base coat is recommended, e.g. Osmo One Coat Only, Natural Oil Woodstain or Country Colour. For renovations, clean all old microporous wood finishes thoroughly. Freshen up greyed wood with Osmo Wood Reviver Power-Gel before applying Osmo Clear Uv-Protection-Oil. Old paints and lacquers must be completely removed. As a general rule, wear a dust mask during sanding. Do not sand smooth surfaces thinner than P120. The final result may be influenced by several factors, including the natural features of the wood. Therefore, a trial application is always recommended, especially for unfamiliar timbers. If you wish to have additional protection against blue stains, decaying and insects, you should pre-treat the wood on all sides with Osmo WR Base Coat. Technical data Specific weight: 0.9-1.0 g/cm³ [0,03 lb/in³] Viscosity: >50s DIN EN ISO 2431/3 mm, viscous Odour: faint/mild, odourless after drying Flash point: >60 °C [140 F] acc. DIN EN ISO 2719 Documentation ⏩ TDS ⏩ SDS