White matte paint for ceramic

Polyurethane two-component varnish, glossy or matte (depending on the preparation), in 100 ml [3,51 oz] jar (100 ml [3,51 oz] correspond to a 400 ml [14,07 oz] can). Universal two-component kit to achieve the desired effect: depending on the preparation, it is possible to obtain either a glossy or a matte finish. Ideal to protect any resin and paint in a professional way. When catalysed, the protective clear coat is resistant to chemicals, UV rays and scratches. The package features two separate containers for the two components (the polyurethane clear coat and the catalyst), which should be mixed at the time of use. Recommended for resins that do not contain phosphorescent pigments, wood and various types of surfaces. Its unique properties fulfil the requirements for the protection, the sanding and the polishing of resins that do not contain phosphorescent pigments, wood and various types of surfaces The kit includes: – Component A; – Component B (catalyst); – Measuring cup. Properties: – Scratch-resistant protective finish; – Prevents the yellowing of the resin; – UV-resistant; – Easy to apply; – Depending on the preparation, you can obtain either a glossy or a matte finish; – Completely dries after 48 hours; – Always remember to prepare only the quantity you need, after the preparation the mixture can last for about 24 hours (20°C) [68 F]. 100 ml [3,51 oz] of transparent varnish with the addition of polyurethane thinner can cover an area of around 1.5-2.50 square meters.   Warning: at first it develops a strong smell, which disappears once dried. Work in a ventilated area. Tips for use: Prepare the mixture of polyurethane clear coat and catalyst in the measuring cup included in the kit. For applications with Spray Gun, dilute the preparation with polyurethane thinner (you can use our polyurethane thinner).  Spray Gun and polyurethane thinner are included in the kit. Always remember to prepare only the quantity you need, after the preparation the mixture can last for about 24 hours (20°C) [68 F]. Examples of quantities for the preparation of the glossy transparent varnish: 100 ml [3,51 oz] CLEAR COAT + 50 ml [1,75 oz] CATALYST + 15-20 ml [0,52-0,70 oz] POLYURETHANIC THINNER (ONLY FOR APPLICATIONS WITH SPRAY GUN) Examples of quantities for the preparation of the matte transparent varnish: 100 ml [3,51 oz] CLEAR COAT + 30 ml [1,05 oz] CATALYST + 50-70 ml [1,75-2,46 oz] POLYURETHANIC THINNER (ONLY FOR APPLICATIONS WITH SPRAY GUN) Drying time (at 20°C [68 F] and 60% RH): Skin forming 15-20 min Touch dry 30-60 min Fully dried: 48 hours To recoat, allow to dry for 1-2 hours (20°C) [68 F] between each coat. REMOVE WITH ACETONE AND/OR NITRO THINNER (before the product has completely dried).

Polyurethane two-component varnish, glossy or matte (depending on the preparation), in 100 ml [3,51 oz] jar (100 ml [3,51 oz] correspond to a 400 ml [14,07 oz] can). Universal two-component kit to achieve the desired effect: depending on the preparation, it is possible to obtain either a glossy or a matte finish. Ideal to protect any resin and paint in a professional way. When catalysed, the protective clear coat is resistant to chemicals, UV rays and scratches. The package features two separate containers for the two components (the polyurethane clear coat and the catalyst), which should be mixed at the time of use. Recommended for resins that do not contain phosphorescent pigments, wood and various types of surfaces. Its unique properties fulfil the requirements for the protection, the sanding and the polishing of resins that do not contain phosphorescent pigments, wood and various types of surfaces The kit includes: – Component A; – Component B (catalyst); – Measuring cup. Properties: – Scratch-resistant protective finish; – Prevents the yellowing of the resin; – UV-resistant; – Easy to apply; – Depending on the preparation, you can obtain either a glossy or a matte finish; – Completely dries after 48 hours; – Always remember to prepare only the quantity you need, after the preparation the mixture can last for about 24 hours (20°C) [68 F]. 100 ml [3,51 oz] of transparent varnish with the addition of polyurethane thinner can cover an area of around 1.5-2.50 square meters. Warning: at first it develops a strong smell, which disappears once dried. Work in a ventilated area. Tips for use: Prepare the mixture of polyurethane clear coat and catalyst in the measuring cup included in the kit. For applications with Spray Gun, dilute the preparation with polyurethane thinner (you can use our polyurethane thinner).  Spray Gun and polyurethane thinner are not included in the kit. Always remember to prepare only the quantity you need, after the preparation the mixture can last for about 24 hours (20°C) [68 F]. Examples of quantities for the preparation of the glossy transparent varnish: 100 ml [3,51 oz] CLEAR COAT + 50 ml [1,75 oz] CATALYST + 15-20 ml [0,52-0,70 oz] POLYURETHANIC THINNER (ONLY FOR APPLICATIONS WITH SPRAY GUN) Examples of quantities for the preparation of the matte transparent varnish: 100 ml [3,51 oz] CLEAR COAT + 30 ml [1,05 oz] CATALYST + 50-70 ml [1,75-2,46 oz] POLYURETHANIC THINNER (ONLY FOR APPLICATIONS WITH SPRAY GUN) Drying time (at 20°C [68 F] and 60% RH): Skin forming 15-20 min Touch dry 30-60 min Fully dried: 48 hours To recoat, allow to dry for 1-2 hours (20°C) [68 F] between each coat. REMOVE WITH ACETONE AND/OR NITRO THINNER (before the product has completely dried).

RECTANGULAR FRAME Double-dressed white frame - 100% cotton. High-quality product - perfect for artists and beginners. Strong cardboard base covered with real cloth. Suitable for all painting techniques, even for those with double colour application. Excellent for home decoration, paintings or other handicrafts. Ideal to make resin-based paints. Sizes: 30 x 30 cm [11,81” x 11,81”]; 20 x 20 cm [7,87” x 7,87”]

Golden Leaf is a particular paint based on metallic purples, dispersed in a solution of petroleum resin and white spirit. Once spread, the product forms a highly effective metallized film. The product can be used for finishes in the field of decoration and hobby, it is resistant and very stable when used on substrates intended for internal use. To apply this paint, just put the desired amount on a brush with which you will slowly massage the work surface. Drying time: 24 h   The Golden Leaf series is available in 7 shades of different colors: Oro Ricco, Oro Pallido, Oro Ricco Pallido, Oro Zecchino, Oro Ducato, Rame, Silver.

CASTING LIQUID SILICONE RUBBER – for mold-making. Two-component A + B. Liquid silicone rubber for mold-making; able to penetrate everywhere and to reproduce every small detail. It is suitable for making molds for small objects, even with very fine details and noticeable undercuts. Liquid Silicone Rubber for Making Highly Detailed Molds. Compatible with Resin, Soap and Polymer Pastes. Ideal for multiple reproductions of models and complex shapes and jewelry of any kind. White Color – Mixing Ratio: 100: 2 by weight (for 20 Shore type), 100:3 by weight (for 15 Shore type). Complete cure in 12 hours. Liquid medium-hard condensation pourable silicone rubber. It possesses high mechanical characteristics, and it is suited for the preparation of molds with fine details: reproduction of bronze statues (artistic foundries), serial reproduction of complex objects in resin (polyester, polyurethane and epoxy), in plaster, natural and synthetic wax, concrete (e.g., statues, decorative garden items, decorative candles, prototypes, decorative ceramics, rosettes, frames, faux wood decorations, etc.). Castings for technical products. Technical Features: + Mix ratio: 100: 2 by weight (for 20 Shore type), 100:3 by weight (for 15 Shore type), + Pot Life – 60-80 min; + Pouring time – 60-80 min; + Demold time – 12 hours; + Hardness – 20 + -3 Shore A + Color – white, semi-gloss.

Piñata Colors are highly saturated, fast-drying alcohol inks for any hard surface, including glass, metal, plastic, ceramic, stone, leather, resin, polymer clay, YUPO® and more. Indelible and impervious to water, Piñata Colors clean up with alcohol and re-wet themselves, allowing for unique effects and techniques not easily achieved with water-based inks. As a dye-based, highly transparent ink*, Piñata Colors are unparalleled for vibrancy. Only the most lightfast dyes have been selected for the palette. Acid-free with excellent adhesive properties, Piñata Colors are the go-to inks for all non-porous surfaces. TECHNIQUES fine arts, scrapbooking, crafts, faux stained glass, card making, resin arts, faux finishing techniques and staining wood and leather SURFACES glass, metal, plastic, vinyl, ceramic, stone, leather, epoxy resins, YUPO®, foil, wood, encaustic, Claybord™, fiberglass, acrylic, polymer clay and more Warning: using inks in percentages higher than 1% may alter the mechanical resistance of the creation. In order to create the Blast Effect, it is necessary to use the colour WHITE. https://www.instagram.com/p/BuTHQjWDUSX/?utm_source=ig_web_copy_link Instruction: These beautiful, color-saturated, acid-free, transparent inks have an alcohol base which makes them indelible and moisture-resistant when dry. That means you can work freely on most any clean, oil-free surface, and makes them the ideal professional product. Highly versatile, Piñata can be used in a variety of applications, including rubber stamping, fine art, fiber art, and scrap booking. Also use Piñata in calligraphy, faux finishing techniques, graphic and airbrush applications, as well as wood and leather staining. Techniques: Mixing Piñata with Claro — it will stay shiny and not change color. It extends the drying and working time. Claro is also a transparentizer. Claro dropped or brushed on top of dry Piñata will make it spread, creating rings of marble or stone-like texture. Slight dulling occurs, but most will remain shiny. Just like real stone! Mixing Piñata with alcohol produces a slightly lighter color. When sponging this mixture, expect to see tiny bubble-like textures. This is very effective in making background papers and other interesting textural faux effects. Alcohol dropped or brushed on top of dry Piñata removes the shine. This is particularly effective on terra cotta surfaces or in faux finishing techniques where shine would detract from the overall effect. Spritz or brush layers of color over color. When wet, each layer will push aside the under layers creating amazing effects. Allowing each layer to dry will produce beautiful glazes and truly spectacular colors with clarity and depth. Add blanco Blanco to any of the Piñata Colors and achieva a completely new glowing range of pastel variations with a touch of opacity. Resists: Crayons: draw with various colors and apply Piñata. Wax.: following directions from the manufacturer, apply melted wax to fabric. Crinkle the fabric allowing the wax to crack, then apply Piñata. Iron the wax away to create beautiful batik effects. Gum Arabic: mix gum arabic with water to a heavy cream consistency. Apply this to a rubber stamp or paint it directly onto a surface. Apply Piñata. Gently wash away the gum arabic. Piñata Clean-Up Solution: Piñata Clean-Up Solution contains moisturizers to keep brushes soft and pliable. (TIP: Use regular rubbing alcohol to clean off most of the Piñata from brushes and sponges. Use the Clean-Up Solution for the final rinse to keep brushes soft and ready-to-use the next time!) Warning: Flammable • Eye Irratant • Contains: Denatured Alcohol • Keep Out Of Reach Of Children.

Kit  Exotic white marble effect with Epoxy resin: The 2.49 kg kit (1.66 + 0.83) covers 1 square meter (+ 10 g white Sahara pigment + 10 g bronze Sahara pigment + 10 g dark gray Sahara pigment + 2*25 ml white dye + 1* 10 g colorfun black) The 4.15 kg kit (2*1.66 + 0.83) covers 2 square meters (+ 2*10 g white Sahara pigment + 2*10 g bronze Sahara pigment + 2*10 g dark gray Sahara pigment + 4 *25 ml white dye + 2* 10 g black colorfun) The 8.33 kg kit covers 4 square meters (+ 4*10 g white Sahara pigment + 4*10 g bronze Sahara pigment + 4*10 g dark gray Sahara pigment + 5*25 ml white dye + 2* 10 g colorfun black) The 16.66 kg kit covers 8 square meters (+ 6*10 g white Sahara pigment + 6*10 g bronze Sahara pigment + 6*10 g dark gray Sahara pigment + 8*25 ml white dye + 3* 10 g colorfun black) Kit Contents: 2.49 kg, 4.15 kg, 8.33 kg or 16.66 kg of Art Coat Epoxy "Art Pro" for a high quality base Black and White Dye from the "Colorfun" Line for the perfect stone shades Metallica Sahara white, bronze, gray pigment for that extra touch of sparkle Good to add: To enhance the appeal of the design: Isopropanol 99.9%  To make the covering last longer: + polishield 100 GLOSS  Each kit includes dyes and pigment in sufficient quantity for the amount of resin required.  Guide Instructions:  Step N1: Primer  Start by carefully measuring the amount needed to cover the surface based on the consumption of 150 g/m2, making sure to follow the proportions indicated to obtain a homogeneous mixture. Once the base has been prepared, proceed with adding the dye, choosing between white or black depending on your needs. The quantity of colourant to add to the mixture can be measured in a few drops (max 5% by volume). This step is crucial to achieve the desired colour and ensure uniformity of the application.  Before applying the primer, it is essential that the surface intended for treatment is adequately prepared. Sand the surface with a coarse grit (40 or 60) before any operation. Make sure it's completely clean, using a soft cloth or brush to remove any pigment, dirt or debris. The surface must also be completely dry; residual humidity can compromise the adhesion of the primer and its effectiveness in sealing the surface.  Once the surface is ready, apply the mixture evenly, using a suitable tool such as a brush, roller or spatula, depending on the size of the area to be treated and your personal preference. The key is to get a thin, even layer that can cover the entire area without leaving gaps or excessive product buildup.. After application, it is essential to allow the primer to dry completely before proceeding with further treatments or finishes on the surface. The recommended waiting time is 12 hours; this range may vary slightly depending on environmental conditions, such as humidity and temperature, but offers a good compromise to ensure the mixture has time to dry and adhere properly. During this period, avoid touching or stressing the treated surface to ensure optimal results. Don't worry if you notice any discrepancies on the surface, the next main pour will level everything perfectly.  Step N2: application  Start by applying masking tape around the perimeter of your countertop to contain the epoxy you're about to pour. This step is essential to ensure the resin stays where it is needed. After applying the resin, wait about 1.5 hours before gently removing the tape. To ensure coverage is even and complete, plan to use approximately 1.6kg of resin for every square meter of surface area.  When you are ready to mix the resin, use a drill equipped with a paddle mixer for quick and even action (use at low speed), taking about 2 minutes for this operation. If you prefer to mix by hand, be prepared to take double the time. Don't forget to scrape the sides and bottom of the container halfway through the process with a stick to ensure all the material is mixed well. Next, separate the already mixed resin into different glasses and add the desired colours, mixing the different colours in the different glasses until you obtain an intense and uniform colour per single glass.   To create a striking visual effect, pour the coloured resin in random layers into a larger bucket, being careful not to mix the colours together too much. After filling the bucket, spread the contents over the surface of the worktop, leaving a small amount of resin aside to finish the edges later. To remove trapped air bubbles, gently run a propane torch or heat gun over the surface.   Once the adhesive tapes have been removed, approximately 1.5 hours after application, if there are any dry edges, moisten them slightly by wearing a protective glove to promote an even appearance. Use appropriate tools, such as spatulas or plastic scrapers, to spread and level the resin along the edges, making sure to cover the entire area well. After letting the resin cure for 24 hours, you can apply a clear top coat or PoliShield scratch-resistant paint to further protect the surface.  Finally, for even more refined visual effects, spray 99.9% isopropyl alcohol onto the surface just before the resin begins to fully harden. This will create unique lacy textures. Remember that when you remove the tape, it is essential that the resin is partially hardened, neither too liquid nor completely solid, to avoid unwanted drips.  Attention! Safety Guidelines for Using Isopropyl Alcohol (99.9%) Isopropyl alcohol (IPA) is a highly flammable substance. Improper use—especially near heat sources like torches or heat guns—can result in fire or explosion. To ensure safe use, follow these precautions: Primary Risks Highly flammable: IPA vapors can ignite from sparks, open flames, or hot surfaces. Forms explosive vapor-air mixtures, especially in enclosed or poorly ventilated spaces. Strictly Prohibited: Using gas torches or heat guns near areas treated with IPA. Spraying IPA near active heat sources. Storing IPA near flames, heaters, or hot tools. Recommended Safety Measures: 1. Ventilation: Always work in a well-ventilated area when using IPA. 2. Wait Time: After applying IPA, wait at least 5–10 minutes to allow complete evaporation before using any heat tools. 3. Safe Distance: Keep IPA containers at least 2 meters (6 feet) away from heat or flame sources. 4. Storage: Store IPA in a tightly sealed container, away from direct sunlight or high temperatures. 5. Fire Safety: Have a CO₂ or dry chemical fire extinguisher nearby when working with flammable substances and open flames. In Case of Fire: Do not use water to extinguish the fire. Use an appropriate extinguisher, cut off air supply if safe, and call emergency services if needed.

ROUNDED FRAME Double-dressed white frame - 100% cotton. High-quality product - perfect for artists and beginners. Strong cardboard base covered with real cloth. Suitable for all painting techniques, even for those with double colour application. Excellent for home decoration, paintings or other handicrafts. Ideal to make resin-based paints. Sizes: D. 30 cm [11,81”], D. 20 cm [7,87”]