Glassy white ceramic enamel

Kintsugi Repair Kit - Repair and Transform Your Ceramics with Elegance  Celebrate imperfection with the ancient Japanese art Discover the traditional Japanese art of Kintsugi with our complete repair kit. Transform your broken ceramics into unique and fascinating works of art, highlighting imperfections with elegant gold, silver, or copper veins. Our kit is perfect for both beginners and experts, offering detailed instructions and everything you need to give new life and value to your most cherished items. 🌟 Specific epoxy resin (150g): slow catalysis to eliminate any bubbles or imperfections, allowing you to complete the work without rushing.  🎨 Dye of your choice (gold, copper, silver): customize your repair with a touch of elegance and refinement.  ✨ Respect the tradition: follow the ancient art of Kintsugi and transform your ceramics into unique and precious treasures.  The kit contains: 150g of resin for 3D decorations, 2 pairs of protective gloves, 2 mixing cups, and 5 spatulas for applying the resin, detailed instructions, everything you need in one kit. Give your ceramics a unique touch: repair them with style and make them even more beautiful. Buy the Kintsugi Repair Kit now and start creating your works of art today! Kintsugi Kit Instructions: Mix Resin: Measure 100A:50B by volume (or 100A:45B by weight) using a scale. Mix for 2 minutes, ensuring all surfaces are scraped. Add Colour: Mix your chosen metallic dye (gold, silver, or copper) into the resin to highlight the cracks. Prepare Surface: Ensure surfaces are clean, dry, and sanded. Apply Resin: Fill the cracks with the colored resin. Curing: Work in a temperature-controlled area, avoiding humidity. Safety: Wear protective gear.

“IWHITE” WHITE POLYURETHANE CASTING RESIN - Two-Component A + B. Description. Highly fluid WHITE polyurethane casting resin with high hardening properties, for all kinds of handcrafted creations and fast prototyping in the modelling branch. Thanks to its high-speed catalysis (30 minutes), you can quickly reproduce objects of all sizes in a perfect way. In the liquid state, the resin can be easily coloured with any compatible colouring paste. Furthermore, once hardened it can be coloured with acrylic colours. Label: Component B: H351 Suspected of causing cancer. H332 Harmful if inhaled. H373 May cause damage to organs through prolonged or repeated exposure. H319 Causes serious eye irritation. H315 Causes skin irritation. H335 May cause respiratory irritation. H334 May cause allergy or asthma symptoms or breathing difficulties if inhaled. H317 May cause an allergic skin reaction. EUH204 Contains isocyanates. May produce an allergic reaction. P201 Obtain special instructions before use. P280 Wear protective gloves / protective clothing / eye protection / face protection. P284 Wear respiratory protection. P304 + P340 If inhaled: remove person to fresh air and keep comfortable for breathing. P308 + P313 If exposed or concerned: get medical advice/attention. P403 + P233 Store in a well-ventilated place. Keep container tightly closed. Contents: 4,4 'METHYLENEDIPHENYL DIISOCYANATE 4,4' - METHYLENEDIPHENYL DIISOCYANATE, OLIGOMERS Component A: RESIN. H303 - May be harmful if swallowed. H312 - Harmful in contact with skin. H332 - Harmful if inhaled. P260 - Do not breathe dust / fumes / gas / mist / vapours / spray. P262 – Do not get in eyes, on skin, or on clothing. Contains: Polyol Polyether, Polyol Glycol, 1,4 - diazabicyclooctane. Download Non toxicity Certificate [CP_CALCULATED_FIELDS id="1"]

Piñata Colors are highly saturated, fast-drying alcohol inks for any hard surface, including glass, metal, plastic, ceramic, stone, leather, resin, polymer clay, YUPO® and more. Indelible and impervious to water, Piñata Colors clean up with alcohol and re-wet themselves, allowing for unique effects and techniques not easily achieved with water-based inks. As a dye-based, highly transparent ink*, Piñata Colors are unparalleled for vibrancy. Only the most lightfast dyes have been selected for the palette. Acid-free with excellent adhesive properties, Piñata Colors are the go-to inks for all non-porous surfaces. TECHNIQUES fine arts, scrapbooking, crafts, faux stained glass, card making, resin arts, faux finishing techniques and staining wood and leather SURFACES glass, metal, plastic, vinyl, ceramic, stone, leather, epoxy resins, YUPO®, foil, wood, encaustic, Claybord™, fiberglass, acrylic, polymer clay and more Warning: using inks in percentages higher than 1% may alter the mechanical resistance of the creation. In order to create the Blast Effect, it is necessary to use the colour WHITE. https://www.instagram.com/p/BuTHQjWDUSX/?utm_source=ig_web_copy_link Instruction: These beautiful, color-saturated, acid-free, transparent inks have an alcohol base which makes them indelible and moisture-resistant when dry. That means you can work freely on most any clean, oil-free surface, and makes them the ideal professional product. Highly versatile, Piñata can be used in a variety of applications, including rubber stamping, fine art, fiber art, and scrap booking. Also use Piñata in calligraphy, faux finishing techniques, graphic and airbrush applications, as well as wood and leather staining. Techniques: Mixing Piñata with Claro — it will stay shiny and not change color. It extends the drying and working time. Claro is also a transparentizer. Claro dropped or brushed on top of dry Piñata will make it spread, creating rings of marble or stone-like texture. Slight dulling occurs, but most will remain shiny. Just like real stone! Mixing Piñata with alcohol produces a slightly lighter color. When sponging this mixture, expect to see tiny bubble-like textures. This is very effective in making background papers and other interesting textural faux effects. Alcohol dropped or brushed on top of dry Piñata removes the shine. This is particularly effective on terra cotta surfaces or in faux finishing techniques where shine would detract from the overall effect. Spritz or brush layers of color over color. When wet, each layer will push aside the under layers creating amazing effects. Allowing each layer to dry will produce beautiful glazes and truly spectacular colors with clarity and depth. Add blanco Blanco to any of the Piñata Colors and achieva a completely new glowing range of pastel variations with a touch of opacity. Resists: Crayons: draw with various colors and apply Piñata. Wax.: following directions from the manufacturer, apply melted wax to fabric. Crinkle the fabric allowing the wax to crack, then apply Piñata. Iron the wax away to create beautiful batik effects. Gum Arabic: mix gum arabic with water to a heavy cream consistency. Apply this to a rubber stamp or paint it directly onto a surface. Apply Piñata. Gently wash away the gum arabic. Piñata Clean-Up Solution: Piñata Clean-Up Solution contains moisturizers to keep brushes soft and pliable. (TIP: Use regular rubbing alcohol to clean off most of the Piñata from brushes and sponges. Use the Clean-Up Solution for the final rinse to keep brushes soft and ready-to-use the next time!) Warning: Flammable • Eye Irratant • Contains: Denatured Alcohol • Keep Out Of Reach Of Children.

Kit  Exotic white marble effect with Epoxy resin: The 2.49 kg kit (1.66 + 0.83) covers 1 square meter (+ 10 g white Sahara pigment + 10 g bronze Sahara pigment + 10 g dark gray Sahara pigment + 2*25 ml white dye + 1* 10 g colorfun black) The 4.15 kg kit (2*1.66 + 0.83) covers 2 square meters (+ 2*10 g white Sahara pigment + 2*10 g bronze Sahara pigment + 2*10 g dark gray Sahara pigment + 4 *25 ml white dye + 2* 10 g black colorfun) The 8.33 kg kit covers 4 square meters (+ 4*10 g white Sahara pigment + 4*10 g bronze Sahara pigment + 4*10 g dark gray Sahara pigment + 5*25 ml white dye + 2* 10 g colorfun black) The 16.66 kg kit covers 8 square meters (+ 6*10 g white Sahara pigment + 6*10 g bronze Sahara pigment + 6*10 g dark gray Sahara pigment + 8*25 ml white dye + 3* 10 g colorfun black) Kit Contents: 2.49 kg, 4.15 kg, 8.33 kg or 16.66 kg of Art Coat Epoxy "Art Pro" for a high quality base Black and White Dye from the "Colorfun" Line for the perfect stone shades Metallica Sahara white, bronze, gray pigment for that extra touch of sparkle Good to add: To enhance the appeal of the design: Isopropanol 99.9%  To make the covering last longer: + polishield 100 GLOSS  Each kit includes dyes and pigment in sufficient quantity for the amount of resin required.  Guide Instructions:  Step N1: Primer  Start by carefully measuring the amount needed to cover the surface based on the consumption of 150 g/m2, making sure to follow the proportions indicated to obtain a homogeneous mixture. Once the base has been prepared, proceed with adding the dye, choosing between white or black depending on your needs. The quantity of colourant to add to the mixture can be measured in a few drops (max 5% by volume). This step is crucial to achieve the desired colour and ensure uniformity of the application.  Before applying the primer, it is essential that the surface intended for treatment is adequately prepared. Sand the surface with a coarse grit (40 or 60) before any operation. Make sure it's completely clean, using a soft cloth or brush to remove any pigment, dirt or debris. The surface must also be completely dry; residual humidity can compromise the adhesion of the primer and its effectiveness in sealing the surface.  Once the surface is ready, apply the mixture evenly, using a suitable tool such as a brush, roller or spatula, depending on the size of the area to be treated and your personal preference. The key is to get a thin, even layer that can cover the entire area without leaving gaps or excessive product buildup.. After application, it is essential to allow the primer to dry completely before proceeding with further treatments or finishes on the surface. The recommended waiting time is 12 hours; this range may vary slightly depending on environmental conditions, such as humidity and temperature, but offers a good compromise to ensure the mixture has time to dry and adhere properly. During this period, avoid touching or stressing the treated surface to ensure optimal results. Don't worry if you notice any discrepancies on the surface, the next main pour will level everything perfectly.  Step N2: application  Start by applying masking tape around the perimeter of your countertop to contain the epoxy you're about to pour. This step is essential to ensure the resin stays where it is needed. After applying the resin, wait about 1.5 hours before gently removing the tape. To ensure coverage is even and complete, plan to use approximately 1.6kg of resin for every square meter of surface area.  When you are ready to mix the resin, use a drill equipped with a paddle mixer for quick and even action (use at low speed), taking about 2 minutes for this operation. If you prefer to mix by hand, be prepared to take double the time. Don't forget to scrape the sides and bottom of the container halfway through the process with a stick to ensure all the material is mixed well. Next, separate the already mixed resin into different glasses and add the desired colours, mixing the different colours in the different glasses until you obtain an intense and uniform colour per single glass.   To create a striking visual effect, pour the coloured resin in random layers into a larger bucket, being careful not to mix the colours together too much. After filling the bucket, spread the contents over the surface of the worktop, leaving a small amount of resin aside to finish the edges later. To remove trapped air bubbles, gently run a propane torch or heat gun over the surface.   Once the adhesive tapes have been removed, approximately 1.5 hours after application, if there are any dry edges, moisten them slightly by wearing a protective glove to promote an even appearance. Use appropriate tools, such as spatulas or plastic scrapers, to spread and level the resin along the edges, making sure to cover the entire area well. After letting the resin cure for 24 hours, you can apply a clear top coat or PoliShield scratch-resistant paint to further protect the surface.  Finally, for even more refined visual effects, spray 99.9% isopropyl alcohol onto the surface just before the resin begins to fully harden. This will create unique lacy textures. Remember that when you remove the tape, it is essential that the resin is partially hardened, neither too liquid nor completely solid, to avoid unwanted drips.  Attention! Safety Guidelines for Using Isopropyl Alcohol (99.9%) Isopropyl alcohol (IPA) is a highly flammable substance. Improper use—especially near heat sources like torches or heat guns—can result in fire or explosion. To ensure safe use, follow these precautions: Primary Risks Highly flammable: IPA vapors can ignite from sparks, open flames, or hot surfaces. Forms explosive vapor-air mixtures, especially in enclosed or poorly ventilated spaces. Strictly Prohibited: Using gas torches or heat guns near areas treated with IPA. Spraying IPA near active heat sources. Storing IPA near flames, heaters, or hot tools. Recommended Safety Measures: 1. Ventilation: Always work in a well-ventilated area when using IPA. 2. Wait Time: After applying IPA, wait at least 5–10 minutes to allow complete evaporation before using any heat tools. 3. Safe Distance: Keep IPA containers at least 2 meters (6 feet) away from heat or flame sources. 4. Storage: Store IPA in a tightly sealed container, away from direct sunlight or high temperatures. 5. Fire Safety: Have a CO₂ or dry chemical fire extinguisher nearby when working with flammable substances and open flames. In Case of Fire: Do not use water to extinguish the fire. Use an appropriate extinguisher, cut off air supply if safe, and call emergency services if needed.

This colour is necessary as a base for colour patterns: after each drop, drip white onto the resin surface of coloured ink. The Petri effect is impossible without the white colour.   Shake the ink jar thoroughly before use!  

✅Wide range of colours: 5 unique colours, including orange, vinous, green, black and white, to create personalised candles. ✅Easy to use: Add the dye to the melted wax or paraffin (1% for intensive colouring). ✅ High concentration: A small amount for a bright and lasting colour in your candles. ✅Versatility: By mixing different colours, you can get endless shades for your creations. ✅Italian quality: Made in Europe, ensuring the safety and quality of your handmade candles. Turn your candles into a Rainbow of Colours with Candle Pro! Illuminate your creations with the ColourCandle line of dyes by Candle Pro, designed specifically for candles, waxes and paraffins! A world of vibrant colours awaits you, from warm shades of red and bordeaux. Turn your handmade candles into unique pieces, inimitable and full of colour. How to use: Using Colour Candle dyes is super easy: add the dye to the melted wax or paraffin and mix well. Thanks to their high concentration, even a small amount (1%) of Colour Candle is enough to intensely colour your candles. Wide Choice of Colours: Choose from 5 unique colours to give your next candle, wax or paraffin the perfect colour. Also by mixing the various candle dyes you can create endless shades! Candle Pro is an Italian brand and we make sure that our dyes are produced in Europe, ensuring quality and safety for all your creations. Ease of Use: Add a little dye to the melted wax or paraffin to get a vibrant, long-lasting colour. Are you ready to give a touch of colour to your candles, waxes and paraffins? Discover the Colour Candle range of Candle Pro and be inspired by the world of colours!

Professional silicone Mould "Geode" of high quality to create in resin. Excellent for making coasters, watches, decorative elements , jewelry base, home and office decorations. High quality silicone allows you to use the silicone shape for years. Size: 3.5 x 3.3 in Height: 0.4 in Color: white The Mould is characterized by flexibility and versatility of use. Resistant to temperatures ranging from -60° C to +230° C. Ideal for professional use in the decorative world. Advantage: * Easy storage * Easy to wash, does not change the shape for long time. * Easy extraction Copyright © Resin Pro Srl. The reproduction (total or partial) of the work by any means made and its making available to third parties, either free of charge or for a fee is prohibited.  

High-Performance Single-Component Polyurethane Resin The perfect binder for white or light-colored pebbles. This resin has been specifically formulated to ensure an impeccable result in various applications. Thanks to its high gloss and transparency, and low viscosity, it offers a flawless, clear, and bubble-free result. Ideal for use as a binder for white or light-colored pebbles. Due to its optimal mechanical performance, it ensures an extraordinary result for creating continuous permeable floors that are durable and aesthetically pleasing. Consumption for Aggregate/Pebble Binder Depending on the chosen grain size, consider these indicative data for polyurethane resin for white or light aggregates: 7-10 mm – for 20-25 kg of aggregate, add 500g of polyurethane resin; 4-6 mm – for 20-25 kg of aggregate, add 650g of polyurethane resin; 2-4 mm – for 20-25 kg of aggregate, add 800g of polyurethane resin; 1-2 mm – for 20-25 kg of aggregate, add 1.2 kg of polyurethane resin; Note: It is advisable to verify the necessary amount of binder before application, as an excess of binder can cause swelling and foaming. The correct amount of binder is just enough to wet the surface of the aggregate without dripping. If you have any doubts, contact our support! These consumption rates are calculated based on the standard sale format of aggregates/pebbles, approximately 20-25 kg per bag. Primer For greater adhesion security, use Transparent Epoxy Resin as a primer for your surfaces: in this application, consider 150-200 g/m² applied with a simple roller; to ensure optimal grip, sprinkle quartz sand to refusal immediately after application. Resistance Excellent mechanical performance, with pebbles perfectly bound together and extraordinary resistance to yellowing. Main Features High transparency Excellent mechanical resistance Good chemical resistance and carbonation resistance High impregnation and reinforcement of technical fabrics Long working time Glossy and self-leveling surface High UV resistance for long-lasting creations - no yellowing High mechanical resistance for scratch protection Low viscosity reduces the presence of air bubbles after curing and facilitates carbon fiber impregnation Odorless and solvent-free Perfectly transparent and bubble-free thanks to its specific formula. Curing Time Complete curing is achieved in about 24 hours. Surface Preparation Apply on solid, compact, dry substrates that are not subject to capillary rising damp, clean, and free of oils and greases. Treat surfaces by shot blasting or sanding followed by residue vacuuming. Alternatively, a cementitious underlay or epoxy screed is recommended. The use of a suitable primer is recommended (see specific application cycle sheets). Product Use Mix the product with colored or monochromatic mineral aggregates of any grain size, using manual (low-speed drill with helical mixer) or automatic (concrete mixer) mixing. For a finished product with maximum chemical and mechanical resistance, use aggregates that are clean of oils or greases and free of moisture. The ratio of aggregate to binder is highly dependent on the shape, size, and porosity of the aggregate; as a guideline: 40:1 for 4-6 mm aggregate; 20:1 for 2-4 mm aggregate; 16:1 for 1-2 mm aggregate. Technical Assistance, Product info: Contacts