Slip-resistant satin effect paint

Perfectly protected against the sun – the first clear UV-protection for the outdoors! All resins / woods turn amber in colour over time, but UV-Protection-Oil has been developed to preserve epoxy's clear colour and slow down the yellowing process by (UV factor) 12 times compared to untreated epoxy. Ideal for River tables, epoxy furniture, exterior design pieces, windows, doors, claddings, fencings and other complex joinery. Natural oil-based and microporous finish, it does not crack, flake or peel. Water-resistant and dirt-resistant, it is moisture regulating and minimise the damaging. Description Natural oil-based clear satin wood finish for outdoor use. The microporous surface allows the wood to breathe and reduces swelling and shrinkage. Water-repellent, will not crack, peel or flake. As top coat on already treated coloured wood, Osmo UV-Protection-Oil Extra significantly extends the intervals between each restoration. When used as a single product, with a two-coat application it prevents greying on vertical surfaces with a 12 UV-protection factor compared to untreated wood. Osmo UV-Protection-Oil Extra features active ingredients to protect the coating against the action of mould, algae and fungi. No need to sand before application, easy and smooth. During coating, the finish is still workable. Recommended use Osmo UV-Protection-Oil Extra is perfect for all vertical wood surfaces for outdoor use: doors, windows, window shutters (dimensionally stable parts), parking places, resin coatings, balconies, fences, pergolas, and holiday cottages (dimensionally unstable parts). Also suitable for bamboo poles (e.g. in screens). Ingredients Based on natural plant oils (sunflower oil, soybean oil, thistle oil and linseed oil), desiccants and additives. Biocidal active ingredient: Propiconazole. Dearomatized turpentine (benzene-free). EU limit value for this product (cat. A/e): 400 g/l [0,02 lb/oz] VOC (2010). This product contains max. 400 g/l [0,02 lb/oz] VOC. Detailed declaration of ingredients available upon request. Storage Up to 5 years and longer if the can is stored in a dry place and hermetically sealed. If thickened by frost, store for 24-36 hours at room temperature before use. Surface preparation Wood surface must be clean, dry and frost-free (moisture content max. 20%). Osmo UV-Protection-Oil Extra is ready to use and should not be diluted. Stir well before use. If possible, please apply the first coat to all sides before installation. Particularly oily timbers need to weather off (for approximately 6 weeks) after installation. Thereby the wood will gain more absorbent power and the finish will penetrate optimally. A coloured base coat is recommended, e.g. Osmo One Coat Only, Natural Oil Woodstain or Country Colour. For renovations, clean all old microporous wood finishes thoroughly. Freshen up greyed wood with Osmo Wood Reviver Power-Gel before applying Osmo Clear Uv-Protection-Oil. Old paints and lacquers must be completely removed. As a general rule, wear a dust mask during sanding. Do not sand smooth surfaces thinner than P120. The final result may be influenced by several factors, including the natural features of the wood. Therefore, a trial application is always recommended, especially for unfamiliar timbers. If you wish to have additional protection against blue stains, decaying and insects, you should pre-treat the wood on all sides with Osmo WR Base Coat. Technical data Specific weight: 0.9-1.0 g/cm³ [0,03 lb/in³] Viscosity: >50s DIN EN ISO 2431/3 mm, viscous Odour: faint/mild, odourless after drying Flash point: >60 °C [140 F] acc. DIN EN ISO 2719 Documentation ⏩ TDS ⏩ SDS

Golden Leaf is a particular paint based on metallic purples, dispersed in a solution of petroleum resin and white spirit. Once spread, the product forms a highly effective metallized film. The product can be used for finishes in the field of decoration and hobby, it is resistant and very stable when used on substrates intended for internal use. To apply this paint, just put the desired amount on a brush with which you will slowly massage the work surface. Drying time: 24 h   The Golden Leaf series is available in 7 shades of different colors: Oro Ricco, Oro Pallido, Oro Ricco Pallido, Oro Zecchino, Oro Ducato, Rame, Silver.

Piñata Colors are highly saturated, fast-drying alcohol inks for any hard surface, including glass, metal, plastic, ceramic, stone, leather, resin, polymer clay, YUPO® and more. Indelible and impervious to water, Piñata Colors clean up with alcohol and re-wet themselves, allowing for unique effects and techniques not easily achieved with water-based inks. As a dye-based, highly transparent ink*, Piñata Colors are unparalleled for vibrancy. Only the most lightfast dyes have been selected for the palette. Acid-free with excellent adhesive properties, Piñata Colors are the go-to inks for all non-porous surfaces. TECHNIQUES fine arts, scrapbooking, crafts, faux stained glass, card making, resin arts, faux finishing techniques and staining wood and leather SURFACES glass, metal, plastic, vinyl, ceramic, stone, leather, epoxy resins, YUPO®, foil, wood, encaustic, Claybord™, fiberglass, acrylic, polymer clay and more Warning: using inks in percentages higher than 1% may alter the mechanical resistance of the creation. In order to create the Blast Effect, it is necessary to use the colour WHITE. https://www.instagram.com/p/BuTHQjWDUSX/?utm_source=ig_web_copy_link Instruction: These beautiful, color-saturated, acid-free, transparent inks have an alcohol base which makes them indelible and moisture-resistant when dry. That means you can work freely on most any clean, oil-free surface, and makes them the ideal professional product. Highly versatile, Piñata can be used in a variety of applications, including rubber stamping, fine art, fiber art, and scrap booking. Also use Piñata in calligraphy, faux finishing techniques, graphic and airbrush applications, as well as wood and leather staining. Techniques: Mixing Piñata with Claro — it will stay shiny and not change color. It extends the drying and working time. Claro is also a transparentizer. Claro dropped or brushed on top of dry Piñata will make it spread, creating rings of marble or stone-like texture. Slight dulling occurs, but most will remain shiny. Just like real stone! Mixing Piñata with alcohol produces a slightly lighter color. When sponging this mixture, expect to see tiny bubble-like textures. This is very effective in making background papers and other interesting textural faux effects. Alcohol dropped or brushed on top of dry Piñata removes the shine. This is particularly effective on terra cotta surfaces or in faux finishing techniques where shine would detract from the overall effect. Spritz or brush layers of color over color. When wet, each layer will push aside the under layers creating amazing effects. Allowing each layer to dry will produce beautiful glazes and truly spectacular colors with clarity and depth. Add blanco Blanco to any of the Piñata Colors and achieva a completely new glowing range of pastel variations with a touch of opacity. Resists: Crayons: draw with various colors and apply Piñata. Wax.: following directions from the manufacturer, apply melted wax to fabric. Crinkle the fabric allowing the wax to crack, then apply Piñata. Iron the wax away to create beautiful batik effects. Gum Arabic: mix gum arabic with water to a heavy cream consistency. Apply this to a rubber stamp or paint it directly onto a surface. Apply Piñata. Gently wash away the gum arabic. Piñata Clean-Up Solution: Piñata Clean-Up Solution contains moisturizers to keep brushes soft and pliable. (TIP: Use regular rubbing alcohol to clean off most of the Piñata from brushes and sponges. Use the Clean-Up Solution for the final rinse to keep brushes soft and ready-to-use the next time!) Warning: Flammable • Eye Irratant • Contains: Denatured Alcohol • Keep Out Of Reach Of Children.

"RAPHAEL" KIT for Pour Paint & Resin Art Create your unique painting with the "RAPHAEL" kit. Experience the countless mixtures and design the perfect artwork! The "RAPHAEL" KIT includes: TRANSPARENT RESIN FOR ARTWORK AND DIY 1.66 KG [3,65 LB] NEON PIGMENTS SET RECTANGULAR FRAME CANVAS 30*30cm WOODEN SPATULA * 5pcs NITRILE GLOVES INSTRUCTION "TIPS HOW TO WORK WITH EPOXY"   Transparent resin for artwork and DIY 1.66 KG [3,65 LB]. Transparent self-levelling UV-resistant epoxy system, which creates a hard and glossy protective layer for casting up to 1 cm [0,39”]. ART PRO, the epoxy resin for the artistic sector: thanks to its special formula and its dense structure, it allows you to create paintings with the "pour paint" and liquid paint technique. It does not leak out from the working surface, slowly reaching the corners of the frame. ART PRO preserves your original design and prevents any possible modification due to the casting of the resin: because of its special formula, the layers of colours do not expand and do not mix (unless you deliberately intervene), faithfully keeping with your creative idea! The surface is perfectly smooth and moisture-resistant. Solvent-free and odourless epoxy resin. Applications: - artworks, creation of art objects (paintings, panels, etc.) with the "fluid-art" (pour paint) technique (pouring up to 1 cm [0,39”]); - coating of surfaces, objects and furniture to add depth and brilliance to the colour; - create a 3D effect on prints, photos and images in general; - fixation of fillers (decorative elements, glass, stone, quartz, etc.) - creation of a perfectly transparent protective layer on your projects. The "ART-PRO" formula is specifically developed for coating in artistic applications. Compatible with colouring agents, powder pigments, alcohol-based and oil-based dyes, aerosol paints. Warning: the product is moisture sensitive, do not use on wet surfaces or with water-based dyes (e.g. Acrylics) Technical data: Usage ratio 100:66 (in weight) Pot Life (150 gr at 30°C) [0,33 lb at 86 F]: 1h20 ', Film (1 mm at 30°C) [0,03” at 86 F]: 6:00'. Full catalysis after 24 hours.   Neon Pigments Set. PIGMENTS WITH COLOURED BASE are perfect for decoupage, decoration and anything related to DIY. By simply adding them to resins, paints or varnishes, you can express your creativity with truly brilliant shades (neon effect!). WARNING: pigments do not glow in the dark, as they are not fluorescent.  

LatexPro , based on prevulcanized natural rubber latex, is the perfect solution to protect surfaces and prevent unsightly drops of resin, such as on the edges of paintings. In addition to this valuable feature, it is widely used in scenography, special effects and fabric treatment. Your perfect ally to create theatrical tricks and impressive special effects. What is LatexPro This is a type of product specifically designed to prevent drips from remaining on the opposite side of the surface during the pouring process (a kind of liquid scotch). This product has a liquid consistency and is used to create a barrier that prevents liquid from slipping or dripping onto unwanted parts. It is a practical solution to achieve cleaner and more accurate results in your artistic creations. Method of Use: Versatile and transparent, LatexPro It is ideal for creating moulds, masks, special effects and set designs. In addition, it is excellent in the treatment of fabrics, metals and other surfaces. Technical Specifications: For optimal storage, keep the product in a place away from heat and light, at temperatures between 15 and 20 C LatexPro: The protection you didn't see but knew you wanted

Amber Onyx Effect Kit with Epoxy resin: The 2.49 kg kit (1.66 + 0.83) covers 1 square meter (+ 10 g Sahara white pigment + 25 ml white dye + 25 ml brown dye + 25 ml OXIDE yellow dye) The 4.15 kg kit (2*1.66 + 0.83) covers 2 square meters (+ 2*10 g Sahara white pigment +2* 25 ml white dye +2* 25 ml brown dye +1*25 ml OXIDE yellow dye)  The 8.33 kg kit covers 4 square meters (+ 4*10 g Sahara white pigment +4* 25 ml white dye +3* 25 ml brown dye+ 2*25 ml OXIDE yellow dye )  The 16.66kg kit covers 8 square meters (+8*10g Sahara white pigment +8*25ml white dye +4*25ml brown dye + 2 * 25 ml OXIDE Yellow dye)  Kit Contents: 2.49 kg, 4.15 kg, 8.33 kg or 16.66 kg of Art Coat Epoxy "Art Pro" for a high quality base  White Dye, Oxide Yellow Dye and Brown Dye from the "Colourful" Line for the perfect caramel stone shades -  White Metallica Sahara pigment for that extra touch of sparkle Each kit includes dyes and pigment in sufficient quantity for the amount of resin required.  Choose the Amber Onyx Effect Kit with Epoxy resin for an easy and elegant transformation of the worktop. Purchase your kit now and elevate your space with the warmth and beauty of caramel marble.  Guide Instructions:  Step N1: Primer  Start by carefully measuring the amount needed to cover the surface based on the consumption of 150 g/m2, making sure to follow the proportions indicated to obtain a homogeneous mixture. Once the base has been prepared, proceed with adding the dye, choosing between white or black depending on your needs. The quantity of colourant to add to the mixture can be measured in a few drops (max 5% by volume). This step is crucial to achieve the desired colour and ensure uniformity of the application.  Before applying the primer, it is essential that the surface intended for treatment is adequately prepared. Sand the surface with a coarse grit (40 or 60) before any operation. Make sure it's completely clean, using a soft cloth or brush to remove any pigment, dirt or debris. The surface must also be completely dry; residual humidity can compromise the adhesion of the primer and its effectiveness in sealing the surface.  Once the surface is ready, apply the mixture evenly, using a suitable tool such as a brush, roller or spatula, depending on the size of the area to be treated and your personal preference. The key is to get a thin, even layer that can cover the entire area without leaving gaps or excessive product build-up.. After application, it is essential to allow the primer to dry completely before proceeding with further treatments or finishes on the surface. The recommended waiting time is 12 hours; this range may vary slightly depending on environmental conditions, such as humidity and temperature, but offers a good compromise to ensure the mixture has time to dry and adhere properly. During this period, avoid touching or stressing the treated surface to ensure optimal results. Don't worry if you notice any discrepancies on the surface, the next main pour will level everything perfectly.  Step N2: application  Start by applying masking tape around the perimeter of your countertop to contain the epoxy you're about to pour. This step is essential to ensure the resin stays where it is needed. After applying the resin, wait about 1.5 hours before gently removing the tape. To ensure coverage is even and complete, plan to use approximately 1.6kg of resin for every square meter of surface area.  When you are ready to mix the resin, use a drill equipped with a paddle mixer for quick and even action (use at low speed), taking about 2 minutes for this operation. If you prefer to mix by hand, be prepared to take double the time. Don't forget to scrape the sides and bottom of the container halfway through the process with a stick to ensure all the material is mixed well. Next, separate the already mixed resin into different glasses and add the desired colours, mixing the different colours in the different glasses until you obtain an intense and uniform colour per single glass.  To create a striking visual effect, pour the coloured resin in random layers into a larger bucket, being careful not to mix the colours together too much. After filling the bucket, spread the contents over the surface of the worktop, leaving a small amount of resin aside to finish the edges later. To remove trapped air bubbles, gently run a propane torch or heat gun over the surface.  Once the adhesive tapes have been removed, approximately 1.5 hours after application, if there are any dry edges, moisten them slightly by wearing a protective glove to promote an even appearance. Use appropriate tools, such as spatulas or plastic scrapers, to spread and level the resin along the edges, making sure to cover the entire area well. After letting the resin cure for 24 hours, you can apply a clear top coat or PoliShield scratch-resistant paint to further protect the surface.  Finally, for even more refined visual effects, spray 99.9% isopropyl alcohol onto the surface just before the resin begins to fully harden. This will create unique lacy textures. Remember that when you remove the tape, it is essential that the resin is partially hardened, neither too liquid nor completely solid, to avoid unwanted drips.   Attention! Safety Guidelines for Using Isopropyl Alcohol (99.9%) Isopropyl alcohol (IPA) is a highly flammable substance. Improper use—especially near heat sources like torches or heat guns—can result in fire or explosion. To ensure safe use, follow these precautions: Primary Risks Highly flammable: IPA vapors can ignite from sparks, open flames, or hot surfaces. Forms explosive vapor-air mixtures, especially in enclosed or poorly ventilated spaces. Strictly Prohibited: Using gas torches or heat guns near areas treated with IPA. Spraying IPA near active heat sources. Storing IPA near flames, heaters, or hot tools. Recommended Safety Measures: 1. Ventilation: Always work in a well-ventilated area when using IPA. 2. Wait Time: After applying IPA, wait at least 5–10 minutes to allow complete evaporation before using any heat tools. 3. Safe Distance: Keep IPA containers at least 2 meters (6 feet) away from heat or flame sources. 4. Storage: Store IPA in a tightly sealed container, away from direct sunlight or high temperatures. 5. Fire Safety: Have a CO₂ or dry chemical fire extinguisher nearby when working with flammable substances and open flames. In Case of Fire: Do not use water to extinguish the fire. Use an appropriate extinguisher, cut off air supply if safe, and call emergency services if needed.

Top Cucina Kit Carrara Marble Effect with Epoxy Resin: The 2.4 kg kit (1.6 + 0.8) covers 1 square meter (+ 10 g white metallic pigment + 25 ml white dye +25 ml black dye)  The 4 kg kit (2*1.6 + 0.8) covers 2 square meters (+ 2*10 g metallic pigment +2* 25 ml white dye + 2*25 ml black dye)  The 8 kg kit covers 4 square meters (+ 4*10 g metallic pigment +4* 25 ml white dye+ 4*25 ml black dye)  The 16 kg kit covers 8 square meters (+ 8*10 g white metallic pigment +8* 25 ml white dye 8*25 ml black dye)  Kit Contents: 2.4kg, 4kg, 8kg or 16kg of "Art Pro" Epoxy Art Coat for a high quality base  White dyeand Black of the "Colorfun" line for the perfect stone shades  White Metallica Sahara pigment for that extra touch of sparkle Good to add: To enhance the appeal of the design:: Isopropanol 99.9% (additional option, not included in the price) To make the coating last longer: Polishield 100 Gloss (additional option, not included in the price). The coverage of a 0.5 kg kit is approximately 4 m2 Each kit includes dyes and pigment in sufficient quantity for the amount of resin required.   HOW TO CREATE YOUR MARBLE EFFECT WITH EPOXY Guide Instructions:  Step N1: Primer  Start by carefully measuring the amount needed to cover the surface based on the consumption of 150 g/m2, making sure to follow the proportions indicated to obtain a homogeneous mixture. Once the base has been prepared, proceed with adding the dye, choosing between white or black depending on your needs. The quantity of colourant to add to the mixture can be measured in a few drops (max 5% by volume). This step is crucial to achieve the desired colour and ensure uniformity of the application. Before applying the primer, it is essential that the surface intended for treatment is adequately prepared. Sand the surface with a coarse grit (40 or 60) before any operation. Make sure it's completely clean, using a soft cloth or brush to remove any pigment, dirt or debris. The surface must also be completely dry; residual humidity can compromise the adhesion of the primer and its effectiveness in sealing the surface.  Once the surface is ready, apply the mixture evenly, using a suitable tool such as a brush, roller or spatula, depending on the size of the area to be treated and your personal preference. The key is to get a thin, even layer that can cover the entire area without leaving gaps or excessive product buildup.. After application, it is essential to allow the primer to dry completely before proceeding with further treatments or finishes on the surface. The recommended waiting time is 12 hours; this range may vary slightly depending on environmental conditions, such as humidity and temperature, but offers a good compromise to ensure the mixture has time to dry and adhere properly. During this period, avoid touching or stressing the treated surface to ensure optimal results. Don't worry if you notice any discrepancies on the surface, the next main pour will level everything perfectly.  Step N2: application  Start by applying masking tape around the perimeter of your countertop to contain the epoxy you're about to pour. This step is essential to ensure the resin stays where it is needed. After applying the resin, wait about 1.5 hours before gently removing the tape. To ensure coverage is even and complete, plan to use approximately 1.6kg of resin for every square meter of surface area.  When you are ready to mix the resin, use a drill equipped with a paddle mixer for quick and even action (use at low speed), taking about 2 minutes for this operation. If you prefer to mix by hand, be prepared to take double the time. Don't forget to scrape the sides and bottom of the container halfway through the process with a stick to ensure all the material is mixed well. Next, separate the already mixed resin into different glasses and add the desired colours, mixing the different colours in the different glasses until you obtain an intense and uniform colour per single glass.  To create a striking visual effect, pour the coloured resin in random layers into a larger bucket, being careful not to mix the colours together too much. After filling the bucket, spread the contents over the surface of the worktop, leaving a small amount of resin aside to finish the edges later. To remove trapped air bubbles, gently run a propane torch or heat gun over the surface.   Once the adhesive tapes have been removed, approximately 1.5 hours after application, if there are any dry edges, moisten them slightly by wearing a protective glove to promote an even appearance. Use appropriate tools, such as spatulas or plastic scrapers, to spread and level the resin along the edges, making sure to cover the entire area well. After letting the resin cure for 24 hours, you can apply a clear top coat or PoliShield scratch-resistant paint to further protect the surface.  Finally, for even more refined visual effects, spray 99.9% isopropyl alcohol onto the surface just before the resin begins to fully harden. This will create unique lacy textures. Remember that when you remove the tape, it is essential that the resin is partially hardened, neither too liquid nor completely solid, to avoid unwanted drips.  Attention! Safety Guidelines for Using Isopropyl Alcohol (99.9%) Isopropyl alcohol (IPA) is a highly flammable substance. Improper use—especially near heat sources like torches or heat guns—can result in fire or explosion. To ensure safe use, follow these precautions: Primary Risks Highly flammable: IPA vapors can ignite from sparks, open flames, or hot surfaces. Forms explosive vapor-air mixtures, especially in enclosed or poorly ventilated spaces. Strictly Prohibited: Using gas torches or heat guns near areas treated with IPA. Spraying IPA near active heat sources. Storing IPA near flames, heaters, or hot tools. Recommended Safety Measures: 1. Ventilation: Always work in a well-ventilated area when using IPA. 2. Wait Time: After applying IPA, wait at least 5–10 minutes to allow complete evaporation before using any heat tools. 3. Safe Distance: Keep IPA containers at least 2 meters (6 feet) away from heat or flame sources. 4. Storage: Store IPA in a tightly sealed container, away from direct sunlight or high temperatures. 5. Fire Safety: Have a CO₂ or dry chemical fire extinguisher nearby when working with flammable substances and open flames. In Case of Fire: Do not use water to extinguish the fire. Use an appropriate extinguisher, cut off air supply if safe, and call emergency services if needed.

Coating for inclined or vertical walls and surfaces / This epoxy formulation allows you to coat surfaces and walls with a transparent layer or decorate them with a colored layer, resulting in a glossy, washable and waterproof surface. The Vertical Glass resin differs from normal resins allows creatives to create sharp shapes and designs on surfaces and canvases without the resin mixing unintentionally losing the original design! Transparent, UV-resistant epoxy system that creates a hard, glossy protective layer. Vertical Glass allows you to keep your initial design, faithfully respecting your creative idea! The surface will be perfectly smooth and resistant to moisture. Solvent-free and odorless epoxy resin. Applications: Floors and Walls (pre-existing) also vertical; Protection of material coatings and other artistic decorations; Coating, repair and decoration of shower trays and sanitary ware; Coating of surfaces, objects and furniture to give depth and brilliance to the color, even in Vertical! Features: For a smooth coating, it is applied with a spatula to the surface of any material: tile, concrete, wood, brick, etc. It has good hiding power, and completely covers the work surface in one application Creates a glossy, smooth and moisture-resistant layer To create a matte surface, it is easily sanded (48 hours after application, with a grain size of 1000-2000 P) Protects from moisture and gives a new life to surfaces It can be painted with dyes and pigments from our assortment Does not self-align: saves the drawing that you set for it 🙂 Please note that in the unpainted form, the material is not completely transparent, and there is a slight “milky” shade with almost imperceptible micro-particles, so we recommend painting it It is used for: Floor coverings, walls, furniture and other surfaces Protection of surfaces of materials Painting, repair and decoration of showers and bathrooms Creation of paintings, murals and other works of art