Removing stickers from plastic panels

Global Distacc A Distacc Release Wax (Liquid) for Epoxy, Polyurethane and Acrylic Resins. The GlobalA A 2 200 L Liquid is a wax-based product for application with a pen or spray gun Resistant up to + 180 C The Global -a A distacc release agent (Liquid) creates a wax film on the mould surface and model, with a strong anti-adhesion action and high temperature resistance (up to + 180 C It is particularly recommended in the preparation of moulds and formwork in which to cast resin. You can apply it on wood, metal, plastic and even cardboard, making the surface perfectly anti-adherent in which to pour resin or other compounds in just a few minutes.   IT IS NOT RECOMMENDED TO USE LIGHTERS, HEAT GUNS OR DEVICES THAT INCREASE THE TEMPERATURE (FOR EXAMPLE WHEN YOU WANT TO REMOVE BUBBLES FROM THE RESIN OR ACCELERATE THE CATALYSIS TIME). Application-brush or spray gun Colour – - white It is a liquid wax release agent packed in 1 liter packs. It is a very effective detachment agent that can be applied by brush or gun. It dries quickly in 2-3 minutes and keeps all the details of the mould. This product belongs to the second category; work only with protective equipment during use. The second category of products - Air freshener, candles, pressed wood, mothballs, non-stick frying pans, plastic bottles. May have carcinogenic properties. CAUSES SKIN IRRITATION. THIS MAY CAUSE AN ALLERGIC SKIN REACTION. THIS MAY CAUSE DROWSINESS OR DIZZINESS. VERY TOXIC TO AQUATIC ORGANISMS WITH LONG-LASTING EFFECTS. HIGH PRESSURE BOTTLE: IT MAY EXPLODE WHEN HEATED. KEEP AWAY FROM HEAT SOURCES, HOT SURFACES, SPARKS, OPEN FLAMES OR OTHER SOURCES OF IGNITION. DON'T SMOKE. DO NOT PIERCE OR BURN EVEN AFTER USE. PROTECT FROM SUNLIGHT. DO NOT EXPOSE TO TEMPERATURES ABOVE 50°C/122°F DO NOT VAPORIZE OVER AN OPEN FLAME OR A SOURCE OF STRONG EXPOSURE TO THE EYES/FACE. DO NOT SPRAY IN THE ENVIRONMENT. contains: TETRACHLOROETHYLENE, heptane, HYDROCARBONS, C7, N-ALKANES, ISOALKANES CYCLIC.

Carbon Polish Black (250ml) is the defined product for polishing your carbon, dark or black surfaces. The aesthetic and economic value of the carbon product is high, and for this reason it is essential to treat the surface with specific and dedicated products, which enhance the beauty of the “carbon look”. It is important to avoid “generic" products that can spoil the work done, with insufficient gloss or even worse, fail to remove scratches. EASY TO APPLY AND REMOVE MISCIBLE WITH WATER ODOURLESS DOES NOT WHITEN PLASTIC PARTS DOES NOT CONTAIN SILICONES VERY LOW ENVIRONMENTAL IMPACT The carbon polishing paste Carbon Polish Pro Black has been developed in a black colour precisely to ensure a brilliant finish and without white dots, typical of generic abrasive pastes. It can therefore be used for all dark surfaces (especially resin).   Carbon Polish Pro Black is the specific paste for carbon; black colour prevents residues from remaining visible on surfaces after polishing. Thanks to the NAP (Nano Abrasive Particles) it is a 2 in 1 product; in fact it quickly removes scratches and defects from the surface and gives at the same time a deep shine like only a polish can do.   In addition, its Synthetic Polymers allow you to correct and fill all the imperfections on the surfaces of Resin and carbon fiber artifacts.   Eliminate scratches, defects and mirror shine with a single product!   Carbon Polish Pro Black carbon polishing paste can be used both on the painted carbon and directly on the epoxy resin that covers the carbon fibers. Unlike commercial Polishes, Carbon Polish Pro Black is 100% Made in Italy, born from over 50 years of tradition in polishing. It allows both the hobbyist and the professions to obtain performing results quickly and easily. Here are the simple steps to polish or eliminate blemishes from your carbon fibre surfaces: If you need to use glass paper to remove the deepest scratches, you can do so without hesitation. The polishing paste will then be able to remove the sanding marks and make the surface smooth and shiny. Here's how:- The polishing paste Carbon Polish Black can be used by hand with extreme simplicity, with the help of a microfiber cloth or a foam pad. Or it can be used with electric tools, such as a drill and flexible, equipped with a special shepherd and foam pad (8000-12000 rpm) or with a polisher (1000-2000 rpm both rotary and ro orbital) with foam pad or wool (also synthetic). The use of tools of this kind will speed up the maintenance and ensure optimal results in even faster times.   How to prepare the surface to be polished? Here are the tricks to make the most of NAP (Nano Abrasive Particles) technology:-   Removals defects and scratches from sanding Depending on the depth of the scratch/defect, start with abrasive papers grit 800-1000 (for deep scratches) or simply 3000-4000 (for light scratches), always tend the surface wetted with water (this will help to make the result homogeneous) Apply the polishing paste for carbon fiber on the surface and spread it with circular and more or less energetic movements depending on the defect you want to remove. Or by directly attaching the buffer of the polisher / hose. We recommend one / two drops of carbon polishing paste every 3-4 cm. You can apply it several times thanks to synthetic polymers, without risking consuming the carbon, until the result is perfect. Clean up simply with water and a clean cloth. Put on your sunglasses and enjoy the dazzling result! Surface renewal: The product is also suitable as a fast and effective tool to renew your precious carbon surfaces, which wear out with normal use or exposure to atmospheric agents. In this case, the process is even easier: it is sufficient to apply the paste on the surface (well cleaned) and roll it out with circular movements, or by directly applying the buffer of the polisher / flexible.   We recommend one / two drops of carbon polishing paste every 2-3 cm.   The carbon polishing paste Carbon Polish Pro Black has been developed in black colour precisely to ensure a brilliant finish and without white dots, typical of generic abrasive pastes, and can therefore be used for all dark surfaces (especially resin). The special formula is free of volatile silicones and is therefore not harmful to health; it can also be used in painting processes.

New line of polishing products SPECIFIC for plastic and resins industry. Ebonite Abralon Sanding Pads: - Ebonite Abralon Sanding Pad 150mm 360 grit - Ebonite Abralon Sanding Pad 150mm 500 grit - Ebonite Abralon Sanding Pad 150mm 1000 grit - Ebonite Abralon Sanding Pad 150mm 2000 grit - Ebonite Abralon Sanding Pad 150mm 3000 grit - Ebonite Abralon Sanding Pad 150mm 4000 grit Ebonite Abralon Sanding Pads Cosmetically appealing, consistent scratch pattern provides excellent traction. Combines the benefits of abrasive cloth and non-woven products. Opening in the fabric allows water to flow freely around the abrasive. Solid surface and foam backing provide even surface pressure. Last 5+ times longer than sandpaper. Use wet or dry (residual material can be removed by high pressure air). Now it's possible to get the most aggressive surface texture without that "cheese grater" look. Abralon sanding pads use silicon carbide particles that are precision sifted to a consistent grain size, then bonded evenly to a six-inch round fabric face for the most even scratch pattern available. WARNINGS: During processing, use protective masks, gloves, and other protective clothing. In case of contact with eyes, immediately rinse with cold water for 15 minutes and immediately consult a doctor. How to Use: Step 1: Thoroughly clean the surface with a cloth. Step 2: Now you can polish by hand or with an orbital polisher. We recommend using the lowest possible speed to get the best result. Start Polishing with 360-500 grit. Note: Sand the entire surface evenly with circular movements and light pressure. Moisten the pad or the surface with water from time to time. Step 3: Now use the 1000 grit sandpaper. Note: Moisten the sandpaper or the surface with water from time to time. Step 4: Afterwards, use 2000 grit sandpaper. Note: Moisten the sandpaper or the surface with water from time to time. Lastly, use 4000 grit sandpaper to finish sanding. Step 5: Remove the sandpaper from the polishing disc and attach a soft sponge to it. Rinse the surface or wipe it with a damp cloth to remove any residual grain of the sanding. Step 6: Apply EpoxyPolish Polishing cream on the damp sponge. Use by hand or with an orbital polisher, using a large circular motion and exerting slight pressure. Step 7: Clean the surface with plenty of water to remove all the remaining residues. Step 8: Enjoy the result!!!

Piñata Colors are highly saturated, fast-drying alcohol inks for any hard surface, including glass, metal, plastic, ceramic, stone, leather, resin, polymer clay, YUPO® and more. Indelible and impervious to water, Piñata Colors clean up with alcohol and re-wet themselves, allowing for unique effects and techniques not easily achieved with water-based inks. As a dye-based, highly transparent ink*, Piñata Colors are unparalleled for vibrancy. Only the most lightfast dyes have been selected for the palette. Acid-free with excellent adhesive properties, Piñata Colors are the go-to inks for all non-porous surfaces. TECHNIQUES fine arts, scrapbooking, crafts, faux stained glass, card making, resin arts, faux finishing techniques and staining wood and leather SURFACES glass, metal, plastic, vinyl, ceramic, stone, leather, epoxy resins, YUPO®, foil, wood, encaustic, Claybord™, fiberglass, acrylic, polymer clay and more Warning: using inks in percentages higher than 1% may alter the mechanical resistance of the creation. In order to create the Blast Effect, it is necessary to use the colour WHITE. https://www.instagram.com/p/BuTHQjWDUSX/?utm_source=ig_web_copy_link Instruction: These beautiful, color-saturated, acid-free, transparent inks have an alcohol base which makes them indelible and moisture-resistant when dry. That means you can work freely on most any clean, oil-free surface, and makes them the ideal professional product. Highly versatile, Piñata can be used in a variety of applications, including rubber stamping, fine art, fiber art, and scrap booking. Also use Piñata in calligraphy, faux finishing techniques, graphic and airbrush applications, as well as wood and leather staining. Techniques: Mixing Piñata with Claro — it will stay shiny and not change color. It extends the drying and working time. Claro is also a transparentizer. Claro dropped or brushed on top of dry Piñata will make it spread, creating rings of marble or stone-like texture. Slight dulling occurs, but most will remain shiny. Just like real stone! Mixing Piñata with alcohol produces a slightly lighter color. When sponging this mixture, expect to see tiny bubble-like textures. This is very effective in making background papers and other interesting textural faux effects. Alcohol dropped or brushed on top of dry Piñata removes the shine. This is particularly effective on terra cotta surfaces or in faux finishing techniques where shine would detract from the overall effect. Spritz or brush layers of color over color. When wet, each layer will push aside the under layers creating amazing effects. Allowing each layer to dry will produce beautiful glazes and truly spectacular colors with clarity and depth. Add blanco Blanco to any of the Piñata Colors and achieva a completely new glowing range of pastel variations with a touch of opacity. Resists: Crayons: draw with various colors and apply Piñata. Wax.: following directions from the manufacturer, apply melted wax to fabric. Crinkle the fabric allowing the wax to crack, then apply Piñata. Iron the wax away to create beautiful batik effects. Gum Arabic: mix gum arabic with water to a heavy cream consistency. Apply this to a rubber stamp or paint it directly onto a surface. Apply Piñata. Gently wash away the gum arabic. Piñata Clean-Up Solution: Piñata Clean-Up Solution contains moisturizers to keep brushes soft and pliable. (TIP: Use regular rubbing alcohol to clean off most of the Piñata from brushes and sponges. Use the Clean-Up Solution for the final rinse to keep brushes soft and ready-to-use the next time!) Warning: Flammable • Eye Irratant • Contains: Denatured Alcohol • Keep Out Of Reach Of Children.

💥 About Сomplete Kit "RIVER-TABLE" - For Creating Your First Table: Resin Kit for Tables and Crafts - the perfect starter pack for resin enthusiasts of all levels. This comprehensive kit includes everything you need to create stunning resin tables, crafts, and more. With easy-to-follow instructions and high-quality materials, even beginners can achieve professional results. You will find everything you need to create the container, the resin and the final polish. Detailed instructions on how to create the formwork, and the tricks to cast the resin in few simple steps are also included. Dive into the world of resin artistry with our Beginner Resin Kit and unlock your creativity today! Resin Pro offers to chose between two epoxy types - -"Transparent" casting resin up to 2cm or -Deep pour "Epoxytable-5" up to 5cm. 💥What`s included: "BEGINNER" KIT - Have you always dreamed of owning a stunning, contemporary table crafted from wood and resin? Now, you can bring that dream to life without breaking the bank! Our BEGINNER kit offers an affordable solution, enabling you to effortlessly and swiftly create your very own wooden and resin table. •  9kg of deep pouring resin up to 5cm OR 8kg of casting resin up to 2cm. •  Glossy "Shiny Shield" release film (32cm*2m) •  500gr Non-toxic silicone paste to seal your frame •  Polishing KIT (polishing pads 6pcs + professional polishing paste 250ml) • 50ml colourants •  Detailed instructions on how to create the formwork step by step and pour the resin. The kit is sufficient to create a table with an area of 0.5 m2 (e.g. 45 cm x 80 cm, thickness 2 cm) - These quantities are calculated by simulating a "classic" 2/3 wood and 1/3 resin table. For any queries or if you may need some advice, please contact the ResinPro technical team. "PRO" KIT - Ready to unleash your creativity with a sleek wood and resin table? Look no further! Our PRO kit offers everything you need to effortlessly and swiftly bring your vision to life. •  18kg of deep pouring resin up to 5cm OR 16kg of casting resin up to 2cm. •  Glossy "Shiny Shield" release film (32cm*3m) •  500gr Non-toxic silicone paste to seal your frame •  Polishing KIT (polishing pads 6pcs + professional polishing paste 250ml) •  100ml colourants •  Detailed instructions on how to create the formwork step by step and pour the resin. The kit is sufficient to create a table with an area of 1 m2 (e.g. 70 cm x 100 cm, thickness 2 cm) - These quantities are calculated by simulating a "classic" 2/3 wood and 1/3 resin table. For any queries or if you may need some advice, please contact the ResinPro technical team. "MAESTRO" KIT - Are you a DIY enthusiast eager to craft a stunning, contemporary wood and resin table? This exclusive offer is tailored just for you! With the MAESTRO kit, you can effortlessly and promptly bring your wooden and resin table masterpiece to fruition. •  30kg of deep pouring resin up to 5cm OR 32kg of casting resin up to 2cm. •  500gr Non-toxic silicone paste to seal your frame •  Polishing KIT (polishing pads 6pcs + professional polishing paste 250ml) •  150ml colourants •  Detailed instructions on how to create the formwork step by step and pour the resin. The kit is sufficient to create a table with an area of 2 m2 (e.g. 90 cm x 150 cm, thickness 2 cm) - These quantities are calculated on a "classic" 2/3 wood and 1/3 resin table. For any queries or if you may need some advice, please contact the ResinPro technical team! If you have not enough experience, we insistly suggest to make a small test before working with large project. WARNINGS: During processing, use protective masks, gloves, and other protective clothing. In case of contact with eyes, immediately rinse with cold water for 15 minutes and immediately consult a doctor. Get inspired by creative works [pinterest_carousel gallery_id="776800704417739261"]

Advantages of Two-component Epoxy Resin Adhesive Extreme strength and resistance to thermal and mechanical influences Resistant to most aggressive substances and oils Available solvent free and BPA free It hardens even under water Compatible with a wide range of additives such as dyes and accelerators Expedited Potlife Application – BestPractice At room temperature (15-30 C The mixing ratio of the two components of 1: 1 is maintained automatically. Do not apply below 5 C outdoor temperature. The higher the ambient temperature, the more effectively the material polymerizes. This means that resistance increases at higher temperatures. It is recommended to have a cloth ready for cleaning. In addition, care must be taken that the work surface is protected and can be cleaned directly if necessary. The surface should be slightly roughened, because only then is the epoxy adhesive guaranteed to bond well with the material. To do this, you can sand or file the surface. To spread the sticker, a piece of cardboard or plastic is useful. After use, clean the tube so that the lid does not stick, and then close it tightly. The thickness of the adhesive should be thin enough (0.1-0.2 mm), but if necessary it can be thicker. The parts to be glued must be clean and free of oil and grease. Apply the adhesive on one side and join and press the parts to be glued. The potlife is about 5 minutes, good endurance is achieved after about 10-12 minutes, and total endurance after about 24 hours. Pot life is limited in time and describes the maximum working time of the uncured adhesive. Once the pot life has passed, the adhesive not yet applied must not be further processed, but must be disposed of! Until the manual force is reached, the binding must be additionally fixed, for example, with the help of a vice, adhesive tape or clamp. In the case of heat-assisted polymerisation, the temperature resistance of the joined parts must be guaranteed. In addition, the heating and cooling times of the parts to be joined must be respected. This time must be added to the curing time of the adhesive. Tension can occur in the glued joint during heating and cooling. With materials such as PP, PE, PTFE or silicone, the parts need to be pretreated with our primer. The need for a primer depends on the surface tension. If this is high enough it can be tested with water droplets on the surface. If the drops adhere well to the surface, a good bond is most likely. If the drops slip away, a primer is probably needed.   Mixing There are several ways to mix the two components: - Mixing by hand - Use of a static mixing nozzle - Use of a dynamic mixing nozzle Hand mixing is sufficient in most cases. For this purpose, a toothpick or similar is used and the two components are mixed until a cloudy mass is formed. Make sure that no bubbles remain. When using a static mixing nozzle, the mixing of both components takes place inside the mixing nozzle so that the mixing is ideal. The first 2g should be discarded, given they are not yet mixed 1:1. However, the mixing nozzle can only be used until the adhesive in the mixing nozzle has dried. After that, you will need a new nozzle. W With a dynamic mixing nozzle, the speed of the mixer can be controlled electronically. This allows you to control the mixing intensity very precisely. However, this is intended for special industrial applications and is not necessary for everyday use. Harden The adhesive is chemically cured. This gives the advantage that gluing the surface is also possible, where adhesives that harden with moisture take a very long time. The bond is high strength and densely flexible. Thus, permanent resistance can be guaranteed in the event of shocks and vibrations. The use of the polymerised adhesive is also possible at high temperatures (up to about 120C), for a short time (30 min) up to 200C The polymerised adhesive has good resistance to physical (e.g. sunlight) or chemical (moisture, detergents, chemicals, etc.) influences. The great advantage of two-component epoxy adhesive is the fact that it hardens even under water and is robust. In addition, it is mouldable, so it can be inserted into any recess to fit.   Technical data Epoxy Resin                              Hardener Base (amine mixture) Viscosity High                           Viscosity Transparent                               Color Density                                        1.1 g / ml Gap filling capacity                  3mm Temperature resistance          -40 up to +120 C Pot Life                                         5 min Hand resistance                         10-12 min Final endurance                         24 hours Shore hardness                           60 Tensile shear strength               10 N / mm2 Module                                          E 620 N / mm2

Amber Onyx Effect Kit with Epoxy resin: The 2.49 kg kit (1.66 + 0.83) covers 1 square meter (+ 10 g Sahara white pigment + 25 ml white dye + 25 ml brown dye + 25 ml OXIDE yellow dye) The 4.15 kg kit (2*1.66 + 0.83) covers 2 square meters (+ 2*10 g Sahara white pigment +2* 25 ml white dye +2* 25 ml brown dye +1*25 ml OXIDE yellow dye)  The 8.33 kg kit covers 4 square meters (+ 4*10 g Sahara white pigment +4* 25 ml white dye +3* 25 ml brown dye+ 2*25 ml OXIDE yellow dye )  The 16.66kg kit covers 8 square meters (+8*10g Sahara white pigment +8*25ml white dye +4*25ml brown dye + 2 * 25 ml OXIDE Yellow dye)  Kit Contents: 2.49 kg, 4.15 kg, 8.33 kg or 16.66 kg of Art Coat Epoxy "Art Pro" for a high quality base  White Dye, Oxide Yellow Dye and Brown Dye from the "Colourful" Line for the perfect caramel stone shades -  White Metallica Sahara pigment for that extra touch of sparkle Each kit includes dyes and pigment in sufficient quantity for the amount of resin required.  Choose the Amber Onyx Effect Kit with Epoxy resin for an easy and elegant transformation of the worktop. Purchase your kit now and elevate your space with the warmth and beauty of caramel marble.  Guide Instructions:  Step N1: Primer  Start by carefully measuring the amount needed to cover the surface based on the consumption of 150 g/m2, making sure to follow the proportions indicated to obtain a homogeneous mixture. Once the base has been prepared, proceed with adding the dye, choosing between white or black depending on your needs. The quantity of colourant to add to the mixture can be measured in a few drops (max 5% by volume). This step is crucial to achieve the desired colour and ensure uniformity of the application.  Before applying the primer, it is essential that the surface intended for treatment is adequately prepared. Sand the surface with a coarse grit (40 or 60) before any operation. Make sure it's completely clean, using a soft cloth or brush to remove any pigment, dirt or debris. The surface must also be completely dry; residual humidity can compromise the adhesion of the primer and its effectiveness in sealing the surface.  Once the surface is ready, apply the mixture evenly, using a suitable tool such as a brush, roller or spatula, depending on the size of the area to be treated and your personal preference. The key is to get a thin, even layer that can cover the entire area without leaving gaps or excessive product build-up.. After application, it is essential to allow the primer to dry completely before proceeding with further treatments or finishes on the surface. The recommended waiting time is 12 hours; this range may vary slightly depending on environmental conditions, such as humidity and temperature, but offers a good compromise to ensure the mixture has time to dry and adhere properly. During this period, avoid touching or stressing the treated surface to ensure optimal results. Don't worry if you notice any discrepancies on the surface, the next main pour will level everything perfectly.  Step N2: application  Start by applying masking tape around the perimeter of your countertop to contain the epoxy you're about to pour. This step is essential to ensure the resin stays where it is needed. After applying the resin, wait about 1.5 hours before gently removing the tape. To ensure coverage is even and complete, plan to use approximately 1.6kg of resin for every square meter of surface area.  When you are ready to mix the resin, use a drill equipped with a paddle mixer for quick and even action (use at low speed), taking about 2 minutes for this operation. If you prefer to mix by hand, be prepared to take double the time. Don't forget to scrape the sides and bottom of the container halfway through the process with a stick to ensure all the material is mixed well. Next, separate the already mixed resin into different glasses and add the desired colours, mixing the different colours in the different glasses until you obtain an intense and uniform colour per single glass.  To create a striking visual effect, pour the coloured resin in random layers into a larger bucket, being careful not to mix the colours together too much. After filling the bucket, spread the contents over the surface of the worktop, leaving a small amount of resin aside to finish the edges later. To remove trapped air bubbles, gently run a propane torch or heat gun over the surface.  Once the adhesive tapes have been removed, approximately 1.5 hours after application, if there are any dry edges, moisten them slightly by wearing a protective glove to promote an even appearance. Use appropriate tools, such as spatulas or plastic scrapers, to spread and level the resin along the edges, making sure to cover the entire area well. After letting the resin cure for 24 hours, you can apply a clear top coat or PoliShield scratch-resistant paint to further protect the surface.  Finally, for even more refined visual effects, spray 99.9% isopropyl alcohol onto the surface just before the resin begins to fully harden. This will create unique lacy textures. Remember that when you remove the tape, it is essential that the resin is partially hardened, neither too liquid nor completely solid, to avoid unwanted drips.   Attention! Safety Guidelines for Using Isopropyl Alcohol (99.9%) Isopropyl alcohol (IPA) is a highly flammable substance. Improper use—especially near heat sources like torches or heat guns—can result in fire or explosion. To ensure safe use, follow these precautions: Primary Risks Highly flammable: IPA vapors can ignite from sparks, open flames, or hot surfaces. Forms explosive vapor-air mixtures, especially in enclosed or poorly ventilated spaces. Strictly Prohibited: Using gas torches or heat guns near areas treated with IPA. Spraying IPA near active heat sources. Storing IPA near flames, heaters, or hot tools. Recommended Safety Measures: 1. Ventilation: Always work in a well-ventilated area when using IPA. 2. Wait Time: After applying IPA, wait at least 5–10 minutes to allow complete evaporation before using any heat tools. 3. Safe Distance: Keep IPA containers at least 2 meters (6 feet) away from heat or flame sources. 4. Storage: Store IPA in a tightly sealed container, away from direct sunlight or high temperatures. 5. Fire Safety: Have a CO₂ or dry chemical fire extinguisher nearby when working with flammable substances and open flames. In Case of Fire: Do not use water to extinguish the fire. Use an appropriate extinguisher, cut off air supply if safe, and call emergency services if needed.

Kit  Exotic white marble effect with Epoxy resin: The 2.49 kg kit (1.66 + 0.83) covers 1 square meter (+ 10 g white Sahara pigment + 10 g bronze Sahara pigment + 10 g dark gray Sahara pigment + 2*25 ml white dye + 1* 10 g colorfun black) The 4.15 kg kit (2*1.66 + 0.83) covers 2 square meters (+ 2*10 g white Sahara pigment + 2*10 g bronze Sahara pigment + 2*10 g dark gray Sahara pigment + 4 *25 ml white dye + 2* 10 g black colorfun) The 8.33 kg kit covers 4 square meters (+ 4*10 g white Sahara pigment + 4*10 g bronze Sahara pigment + 4*10 g dark gray Sahara pigment + 5*25 ml white dye + 2* 10 g colorfun black) The 16.66 kg kit covers 8 square meters (+ 6*10 g white Sahara pigment + 6*10 g bronze Sahara pigment + 6*10 g dark gray Sahara pigment + 8*25 ml white dye + 3* 10 g colorfun black) Kit Contents: 2.49 kg, 4.15 kg, 8.33 kg or 16.66 kg of Art Coat Epoxy "Art Pro" for a high quality base Black and White Dye from the "Colorfun" Line for the perfect stone shades Metallica Sahara white, bronze, gray pigment for that extra touch of sparkle Good to add: To enhance the appeal of the design: Isopropanol 99.9%  To make the covering last longer: + polishield 100 GLOSS  Each kit includes dyes and pigment in sufficient quantity for the amount of resin required.  Guide Instructions:  Step N1: Primer  Start by carefully measuring the amount needed to cover the surface based on the consumption of 150 g/m2, making sure to follow the proportions indicated to obtain a homogeneous mixture. Once the base has been prepared, proceed with adding the dye, choosing between white or black depending on your needs. The quantity of colourant to add to the mixture can be measured in a few drops (max 5% by volume). This step is crucial to achieve the desired colour and ensure uniformity of the application.  Before applying the primer, it is essential that the surface intended for treatment is adequately prepared. Sand the surface with a coarse grit (40 or 60) before any operation. Make sure it's completely clean, using a soft cloth or brush to remove any pigment, dirt or debris. The surface must also be completely dry; residual humidity can compromise the adhesion of the primer and its effectiveness in sealing the surface.  Once the surface is ready, apply the mixture evenly, using a suitable tool such as a brush, roller or spatula, depending on the size of the area to be treated and your personal preference. The key is to get a thin, even layer that can cover the entire area without leaving gaps or excessive product buildup.. After application, it is essential to allow the primer to dry completely before proceeding with further treatments or finishes on the surface. The recommended waiting time is 12 hours; this range may vary slightly depending on environmental conditions, such as humidity and temperature, but offers a good compromise to ensure the mixture has time to dry and adhere properly. During this period, avoid touching or stressing the treated surface to ensure optimal results. Don't worry if you notice any discrepancies on the surface, the next main pour will level everything perfectly.  Step N2: application  Start by applying masking tape around the perimeter of your countertop to contain the epoxy you're about to pour. This step is essential to ensure the resin stays where it is needed. After applying the resin, wait about 1.5 hours before gently removing the tape. To ensure coverage is even and complete, plan to use approximately 1.6kg of resin for every square meter of surface area.  When you are ready to mix the resin, use a drill equipped with a paddle mixer for quick and even action (use at low speed), taking about 2 minutes for this operation. If you prefer to mix by hand, be prepared to take double the time. Don't forget to scrape the sides and bottom of the container halfway through the process with a stick to ensure all the material is mixed well. Next, separate the already mixed resin into different glasses and add the desired colours, mixing the different colours in the different glasses until you obtain an intense and uniform colour per single glass.   To create a striking visual effect, pour the coloured resin in random layers into a larger bucket, being careful not to mix the colours together too much. After filling the bucket, spread the contents over the surface of the worktop, leaving a small amount of resin aside to finish the edges later. To remove trapped air bubbles, gently run a propane torch or heat gun over the surface.   Once the adhesive tapes have been removed, approximately 1.5 hours after application, if there are any dry edges, moisten them slightly by wearing a protective glove to promote an even appearance. Use appropriate tools, such as spatulas or plastic scrapers, to spread and level the resin along the edges, making sure to cover the entire area well. After letting the resin cure for 24 hours, you can apply a clear top coat or PoliShield scratch-resistant paint to further protect the surface.  Finally, for even more refined visual effects, spray 99.9% isopropyl alcohol onto the surface just before the resin begins to fully harden. This will create unique lacy textures. Remember that when you remove the tape, it is essential that the resin is partially hardened, neither too liquid nor completely solid, to avoid unwanted drips.  Attention! Safety Guidelines for Using Isopropyl Alcohol (99.9%) Isopropyl alcohol (IPA) is a highly flammable substance. Improper use—especially near heat sources like torches or heat guns—can result in fire or explosion. To ensure safe use, follow these precautions: Primary Risks Highly flammable: IPA vapors can ignite from sparks, open flames, or hot surfaces. Forms explosive vapor-air mixtures, especially in enclosed or poorly ventilated spaces. Strictly Prohibited: Using gas torches or heat guns near areas treated with IPA. Spraying IPA near active heat sources. Storing IPA near flames, heaters, or hot tools. Recommended Safety Measures: 1. Ventilation: Always work in a well-ventilated area when using IPA. 2. Wait Time: After applying IPA, wait at least 5–10 minutes to allow complete evaporation before using any heat tools. 3. Safe Distance: Keep IPA containers at least 2 meters (6 feet) away from heat or flame sources. 4. Storage: Store IPA in a tightly sealed container, away from direct sunlight or high temperatures. 5. Fire Safety: Have a CO₂ or dry chemical fire extinguisher nearby when working with flammable substances and open flames. In Case of Fire: Do not use water to extinguish the fire. Use an appropriate extinguisher, cut off air supply if safe, and call emergency services if needed.