Dissolving stubborn adhesive residues safely

Strong technical degreaser Ideal for Resins and Silicones - it is a liquid degreaser, non-aggressive on the skin: it is dermatologically tested and hypoallergenic. Made only with solvent-free plant extracts. Its formula contains valuable plant extracts! 100% natural – solvent-free! Ingredients: Plant extracts - valerian, aloe vera, mint, rosemary, sage, lavender, calendula, linden, thyme, witch hazel. Extremely delicate. Suitable for use on: STAINLESS STEEL – ALUMINUM OVENS - CAR INTERIORS GRANITE - PANS – REFRIGERATORS CAMPERS - MOTORBIKES – CARPETS CERAMICS - SANITARY WARE – HOODS FABRICS - WORK BENCHES – SHUTTERS AND MUCH MORE ... Solvent-free and alcohol-free, made with raw materials of plant origin. Removes greases, oils, markers, encrustations, adhesive residues, silicone, wax, tar, permanent inks, paints, enamels, resins, pitch, gas oil.

MAgelSTIC Epoxy Mastic Semi-transparent two-component with very high mechanical and adhesion properties weatherproof and with good UV resistance. Strongly recommended to bond and grout marble, granite, natural and artificial stones. Thanks to its high thixotropy and the near-zero shrinkage, the product excels both in vertical applications and in the correction of imperfections, even of medium / large dimensions. Two-component transparent epoxy mastic with very high mechanical and adhesion properties, unalterable to bad weather and with good UV resistance. Strongly recommended for bonding and grouting of marble, granite, natural and artificial stone. Thanks to its elevated thixotropy and a almost zero shrinkage, the product excels both in vertical applications and in the restoration of imperfections, even of medium / large size.  

Advantages of Two-component Epoxy Resin Adhesive Extreme strength and resistance to thermal and mechanical influences Resistant to most aggressive substances and oils Available solvent free and BPA free It hardens even under water Compatible with a wide range of additives such as dyes and accelerators Expedited Potlife Application – BestPractice At room temperature (15-30 C The mixing ratio of the two components of 1: 1 is maintained automatically. Do not apply below 5 C outdoor temperature. The higher the ambient temperature, the more effectively the material polymerizes. This means that resistance increases at higher temperatures. It is recommended to have a cloth ready for cleaning. In addition, care must be taken that the work surface is protected and can be cleaned directly if necessary. The surface should be slightly roughened, because only then is the epoxy adhesive guaranteed to bond well with the material. To do this, you can sand or file the surface. To spread the sticker, a piece of cardboard or plastic is useful. After use, clean the tube so that the lid does not stick, and then close it tightly. The thickness of the adhesive should be thin enough (0.1-0.2 mm), but if necessary it can be thicker. The parts to be glued must be clean and free of oil and grease. Apply the adhesive on one side and join and press the parts to be glued. The potlife is about 5 minutes, good endurance is achieved after about 10-12 minutes, and total endurance after about 24 hours. Pot life is limited in time and describes the maximum working time of the uncured adhesive. Once the pot life has passed, the adhesive not yet applied must not be further processed, but must be disposed of! Until the manual force is reached, the binding must be additionally fixed, for example, with the help of a vice, adhesive tape or clamp. In the case of heat-assisted polymerisation, the temperature resistance of the joined parts must be guaranteed. In addition, the heating and cooling times of the parts to be joined must be respected. This time must be added to the curing time of the adhesive. Tension can occur in the glued joint during heating and cooling. With materials such as PP, PE, PTFE or silicone, the parts need to be pretreated with our primer. The need for a primer depends on the surface tension. If this is high enough it can be tested with water droplets on the surface. If the drops adhere well to the surface, a good bond is most likely. If the drops slip away, a primer is probably needed.   Mixing There are several ways to mix the two components: - Mixing by hand - Use of a static mixing nozzle - Use of a dynamic mixing nozzle Hand mixing is sufficient in most cases. For this purpose, a toothpick or similar is used and the two components are mixed until a cloudy mass is formed. Make sure that no bubbles remain. When using a static mixing nozzle, the mixing of both components takes place inside the mixing nozzle so that the mixing is ideal. The first 2g should be discarded, given they are not yet mixed 1:1. However, the mixing nozzle can only be used until the adhesive in the mixing nozzle has dried. After that, you will need a new nozzle. W With a dynamic mixing nozzle, the speed of the mixer can be controlled electronically. This allows you to control the mixing intensity very precisely. However, this is intended for special industrial applications and is not necessary for everyday use. Harden The adhesive is chemically cured. This gives the advantage that gluing the surface is also possible, where adhesives that harden with moisture take a very long time. The bond is high strength and densely flexible. Thus, permanent resistance can be guaranteed in the event of shocks and vibrations. The use of the polymerised adhesive is also possible at high temperatures (up to about 120C), for a short time (30 min) up to 200C The polymerised adhesive has good resistance to physical (e.g. sunlight) or chemical (moisture, detergents, chemicals, etc.) influences. The great advantage of two-component epoxy adhesive is the fact that it hardens even under water and is robust. In addition, it is mouldable, so it can be inserted into any recess to fit.   Technical data Epoxy Resin                              Hardener Base (amine mixture) Viscosity High                           Viscosity Transparent                               Color Density                                        1.1 g / ml Gap filling capacity                  3mm Temperature resistance          -40 up to +120 C Pot Life                                         5 min Hand resistance                         10-12 min Final endurance                         24 hours Shore hardness                           60 Tensile shear strength               10 N / mm2 Module                                          E 620 N / mm2

"SHINY SHIELD" - Glossy Release Film For Coasters & Table`s Frames Great tool for achieving the best results: ✔️ "Shiny Shield" release Film for Epoxy, Polyurethane and Acrylic Resins. ✔️ Transparent, adhesive and easily removable, it won’t leave any sticky traces on the workpiece; ✔️ Applicable on ALL SURFACES; ✔️ Specifically developed for CASTING FORMWORK EXTERNAL COATINGS. It is easy to apply without unevenness, creating a smooth, glossy and bubble-free surface, which will help easily release your epoxy project from the frame; ✔️ Once the resin has solidified, the "Shiny Shield" film can be easily removed, leaving a HIGHLY POLISHED even surface; ✔️ REUSABLE several times; ✔️ It does not require any kind of additional treatment and it is IMMEDIATELY READY to be poured. For any queries or if you may need some advice, please contact the ResinPro technical department!

✅ Waxed cotton wicks: They are versatile and suitable for candles of all sizes, compatible with paraffin, soy, beeswax and natural wax. ✅ Wooden wicks: Ideal for creating a soothing sound when burning, for use in combination with soy or beeswax. ✅ Easy placement: Glue on the bottom to easily fix the wick in the container or mould. ✅ Minimal smoke: Designed to reduce smoke during burning. ✅ Ideal length: Available in different lengths (55-130 mm) to meet all creative needs. Choose from our waxed cotton or wooden wicks to personalise your homemade candles! Discover our LITELINE range of candle wicks, part of the CandlePro line designed for DIY candle makers and artisans in the industry. From classic waxed cotton wicks, perfect for their versatility, to charming wooden wicks that add a touch of nature and soothing sounds to your candle, we have what you need! How to use: Place the wick in the container or shape you have chosen for your candle. Thanks to the glue at the bottom of the wick, it will stay in place after being secured, providing a perfect candle. Our LITELINE range is compatible with all types of wax: paraffin, soy, bee or other natural wax blends. Cotton Wicks: waxed cotton wicks with metal backing and glue on the bottom, suitable for candles of all sizes. Wooden Wicks*: Easy to place as they support themselves. When they burn, they make a sound similar to the sound of wood in the fireplace, creating a unique atmosphere. Virtually no smoke: Our wicks are designed to minimise smoke during burning. Ideal length, our wicks range from 55 to 130 mm in length Suitable for all waxes: Our wicks are compatible with paraffin, soy, beeswax and many others. Don't wait! Discover the LITELINE range and spark your creativity! Attention: Wooden wicks should be used in pairs, not individually, when used for soy or beeswax. Also, you should always immerse them in liquid wax for 30 seconds before using them for candles to keep them burning properly.

Set of dyes in a marine palette for works on marine and oceanic themes Ingredients: 3 dyes RESIN COLOUR TRANSLUCENT EFFECT 25 ML, Wave-pro powder for creating waves 15 ml, instructions for working with powder for waves. The kit is designed to create works of epoxy resin on a marine theme: take an artboard or a decorative board / saw cut and epoxy resin for painting to the set - and you can safely start creating a marine masterpiece 🙂 The kit is enough for many fillings, since a couple of drops of dye are enough to stain the resin.

Resin Pro offers the possibility to achieve a perfect polishing by using different types of abrasive pastes. It can be used by hand or with an orbital polisher to make your resin creations shiny. Ebonite Abralon Sanding Pads Cosmetically appealing, consistent scratch pattern provides excellent traction. Combines the benefits of abrasive cloth and non-woven products. Opening in the fabric allows water to flow freely around the abrasive. Solid surface and foam backing provide even surface pressure. Last 5+ times longer than sandpaper. Use wet or dry (residual material can be removed by high pressure air). Now it's possible to get the most aggressive surface texture without that "cheese grater" look. Abralon sanding pads use silicon carbide particles that are precision sifted to a consistent grain size, then bonded evenly to a six-inch round fabric face for the most even scratch pattern available. WARNINGS: During processing, use protective masks, gloves, and other protective clothing. In case of contact with eyes, immediately rinse with cold water for 15 minutes and immediately consult a doctor. The kits may include by variations:  EpoxyPolish Polishing cream – 250 ml [8,79 oz] - 1pc Ebonite Abralon Sanding Pads: - Ebonite Abralon Sanding Pad 150mm 360 grit - 1pc - Ebonite Abralon Sanding Pad 150mm 500 grit - 1pc - Ebonite Abralon Sanding Pad 150mm 1000 grit - 1pc - Ebonite Abralon Sanding Pad 150mm 2000 grit - 1pc - Ebonite Abralon Sanding Pad 150mm 3000 grit - 1pc - Ebonite Abralon Sanding Pad 150mm 4000 grit - 1pc EpoxyPolish Polishing cream   How to Use: Step 1: Thoroughly clean the surface with a cloth. Step 2: Now you can polish by hand or with an orbital polisher. We recommend using the lowest possible speed to get the best result. Start Polishing with 360-500 grit. Note: Sand the entire surface evenly with circular movements and light pressure. Moisten the pad or the surface with water from time to time. Step 3: Now use the 1000 grit sandpaper. Note: Moisten the sandpaper or the surface with water from time to time. Step 4: Afterwards, use 2000 grit sandpaper. Note: Moisten the sandpaper or the surface with water from time to time. Lastly, use 4000 grit sandpaper to finish sanding. Step 5: Remove the sandpaper from the polishing disc and attach a soft sponge to it. Rinse the surface or wipe it with a damp cloth to remove any residual grain of the sanding. Step 6: Apply EpoxyPolish Polishing cream on the damp sponge. Use by hand or with an orbital polisher, using a large circular motion and exerting slight pressure. Step 7: Clean the surface with plenty of water to remove all the remaining residues. Step 8: Enjoy the result!!!

Piñata Colors are highly saturated, fast-drying alcohol inks for any hard surface, including glass, metal, plastic, ceramic, stone, leather, resin, polymer clay, YUPO® and more. Indelible and impervious to water, Piñata Colors clean up with alcohol and re-wet themselves, allowing for unique effects and techniques not easily achieved with water-based inks. As a dye-based, highly transparent ink*, Piñata Colors are unparalleled for vibrancy. Only the most lightfast dyes have been selected for the palette. Acid-free with excellent adhesive properties, Piñata Colors are the go-to inks for all non-porous surfaces. TECHNIQUES fine arts, scrapbooking, crafts, faux stained glass, card making, resin arts, faux finishing techniques and staining wood and leather SURFACES glass, metal, plastic, vinyl, ceramic, stone, leather, epoxy resins, YUPO®, foil, wood, encaustic, Claybord™, fiberglass, acrylic, polymer clay and more Warning: using inks in percentages higher than 1% may alter the mechanical resistance of the creation. In order to create the Blast Effect, it is necessary to use the colour WHITE. https://www.instagram.com/p/BuTHQjWDUSX/?utm_source=ig_web_copy_link Instruction: These beautiful, color-saturated, acid-free, transparent inks have an alcohol base which makes them indelible and moisture-resistant when dry. That means you can work freely on most any clean, oil-free surface, and makes them the ideal professional product. Highly versatile, Piñata can be used in a variety of applications, including rubber stamping, fine art, fiber art, and scrap booking. Also use Piñata in calligraphy, faux finishing techniques, graphic and airbrush applications, as well as wood and leather staining. Techniques: Mixing Piñata with Claro — it will stay shiny and not change color. It extends the drying and working time. Claro is also a transparentizer. Claro dropped or brushed on top of dry Piñata will make it spread, creating rings of marble or stone-like texture. Slight dulling occurs, but most will remain shiny. Just like real stone! Mixing Piñata with alcohol produces a slightly lighter color. When sponging this mixture, expect to see tiny bubble-like textures. This is very effective in making background papers and other interesting textural faux effects. Alcohol dropped or brushed on top of dry Piñata removes the shine. This is particularly effective on terra cotta surfaces or in faux finishing techniques where shine would detract from the overall effect. Spritz or brush layers of color over color. When wet, each layer will push aside the under layers creating amazing effects. Allowing each layer to dry will produce beautiful glazes and truly spectacular colors with clarity and depth. Add blanco Blanco to any of the Piñata Colors and achieva a completely new glowing range of pastel variations with a touch of opacity. Resists: Crayons: draw with various colors and apply Piñata. Wax.: following directions from the manufacturer, apply melted wax to fabric. Crinkle the fabric allowing the wax to crack, then apply Piñata. Iron the wax away to create beautiful batik effects. Gum Arabic: mix gum arabic with water to a heavy cream consistency. Apply this to a rubber stamp or paint it directly onto a surface. Apply Piñata. Gently wash away the gum arabic. Piñata Clean-Up Solution: Piñata Clean-Up Solution contains moisturizers to keep brushes soft and pliable. (TIP: Use regular rubbing alcohol to clean off most of the Piñata from brushes and sponges. Use the Clean-Up Solution for the final rinse to keep brushes soft and ready-to-use the next time!) Warning: Flammable • Eye Irratant • Contains: Denatured Alcohol • Keep Out Of Reach Of Children.