About “Wood Stain" - a highly concentrated stain used for staining both old and new wooden surfaces: Use it to stain any type of wood for indoor or outdoor use. A highly concentrated wood stain that stains wood in one simple application. The formulation is water-based and so is safe to use in all environments, has a very low odour and is non-toxic. Wood Stain is specially formulated to evenly dye wood, ensuring equal and even colour penetration throughout. The stain dries to a natural matt finish in only 10 minutes and has excellent coverage. 1 Litre of Wood Stain will cover approximately 12m2 After staining wood, you should finish the job by sealing the stain in with one of Wood Waxes, Wood Varnishes or Wood Oils. These will enhance the colour of the stain further, provide additional protection and can be used to alter the finish to either satin or gloss. 💥Suitable for: You can use Wood Stain on any wood, just make sure it has been thoroughly cleaned and any old finishes removed. Store in a cool dry place, away from direct sunlight. Storage temperature should be between 8°C and 30°C. Once opened, use within one year. [xyz-ips snippet="TRUSTPILOT-WIDGET"]
$16,49
Perfectly protected against the sun – the first clear UV-protection for the outdoors! All resins / woods turn amber in colour over time, but UV-Protection-Oil has been developed to preserve epoxy's clear colour and slow down the yellowing process by (UV factor) 12 times compared to untreated epoxy. Ideal for River tables, epoxy furniture, exterior design pieces, windows, doors, claddings, fencings and other complex joinery. Natural oil-based and microporous finish, it does not crack, flake or peel. Water-resistant and dirt-resistant, it is moisture regulating and minimise the damaging. Description Natural oil-based clear satin wood finish for outdoor use. The microporous surface allows the wood to breathe and reduces swelling and shrinkage. Water-repellent, will not crack, peel or flake. As top coat on already treated coloured wood, Osmo UV-Protection-Oil Extra significantly extends the intervals between each restoration. When used as a single product, with a two-coat application it prevents greying on vertical surfaces with a 12 UV-protection factor compared to untreated wood. Osmo UV-Protection-Oil Extra features active ingredients to protect the coating against the action of mould, algae and fungi. No need to sand before application, easy and smooth. During coating, the finish is still workable. Recommended use Osmo UV-Protection-Oil Extra is perfect for all vertical wood surfaces for outdoor use: doors, windows, window shutters (dimensionally stable parts), parking places, resin coatings, balconies, fences, pergolas, and holiday cottages (dimensionally unstable parts). Also suitable for bamboo poles (e.g. in screens). Ingredients Based on natural plant oils (sunflower oil, soybean oil, thistle oil and linseed oil), desiccants and additives. Biocidal active ingredient: Propiconazole. Dearomatized turpentine (benzene-free). EU limit value for this product (cat. A/e): 400 g/l [0,02 lb/oz] VOC (2010). This product contains max. 400 g/l [0,02 lb/oz] VOC. Detailed declaration of ingredients available upon request. Storage Up to 5 years and longer if the can is stored in a dry place and hermetically sealed. If thickened by frost, store for 24-36 hours at room temperature before use. Surface preparation Wood surface must be clean, dry and frost-free (moisture content max. 20%). Osmo UV-Protection-Oil Extra is ready to use and should not be diluted. Stir well before use. If possible, please apply the first coat to all sides before installation. Particularly oily timbers need to weather off (for approximately 6 weeks) after installation. Thereby the wood will gain more absorbent power and the finish will penetrate optimally. A coloured base coat is recommended, e.g. Osmo One Coat Only, Natural Oil Woodstain or Country Colour. For renovations, clean all old microporous wood finishes thoroughly. Freshen up greyed wood with Osmo Wood Reviver Power-Gel before applying Osmo Clear Uv-Protection-Oil. Old paints and lacquers must be completely removed. As a general rule, wear a dust mask during sanding. Do not sand smooth surfaces thinner than P120. The final result may be influenced by several factors, including the natural features of the wood. Therefore, a trial application is always recommended, especially for unfamiliar timbers. If you wish to have additional protection against blue stains, decaying and insects, you should pre-treat the wood on all sides with Osmo WR Base Coat. Technical data Specific weight: 0.9-1.0 g/cm³ [0,03 lb/in³] Viscosity: >50s DIN EN ISO 2431/3 mm, viscous Odour: faint/mild, odourless after drying Flash point: >60 °C [140 F] acc. DIN EN ISO 2719 Documentation ⏩ TDS ⏩ SDS
$39,95
Piñata Colors are highly saturated, fast-drying alcohol inks for any hard surface, including glass, metal, plastic, ceramic, stone, leather, resin, polymer clay, YUPO® and more. Indelible and impervious to water, Piñata Colors clean up with alcohol and re-wet themselves, allowing for unique effects and techniques not easily achieved with water-based inks. As a dye-based, highly transparent ink*, Piñata Colors are unparalleled for vibrancy. Only the most lightfast dyes have been selected for the palette. Acid-free with excellent adhesive properties, Piñata Colors are the go-to inks for all non-porous surfaces. TECHNIQUES fine arts, scrapbooking, crafts, faux stained glass, card making, resin arts, faux finishing techniques and staining wood and leather SURFACES glass, metal, plastic, vinyl, ceramic, stone, leather, epoxy resins, YUPO®, foil, wood, encaustic, Claybord™, fiberglass, acrylic, polymer clay and more Warning: using inks in percentages higher than 1% may alter the mechanical resistance of the creation. In order to create the Blast Effect, it is necessary to use the colour WHITE. https://www.instagram.com/p/BuTHQjWDUSX/?utm_source=ig_web_copy_link Instruction: These beautiful, color-saturated, acid-free, transparent inks have an alcohol base which makes them indelible and moisture-resistant when dry. That means you can work freely on most any clean, oil-free surface, and makes them the ideal professional product. Highly versatile, Piñata can be used in a variety of applications, including rubber stamping, fine art, fiber art, and scrap booking. Also use Piñata in calligraphy, faux finishing techniques, graphic and airbrush applications, as well as wood and leather staining. Techniques: Mixing Piñata with Claro — it will stay shiny and not change color. It extends the drying and working time. Claro is also a transparentizer. Claro dropped or brushed on top of dry Piñata will make it spread, creating rings of marble or stone-like texture. Slight dulling occurs, but most will remain shiny. Just like real stone! Mixing Piñata with alcohol produces a slightly lighter color. When sponging this mixture, expect to see tiny bubble-like textures. This is very effective in making background papers and other interesting textural faux effects. Alcohol dropped or brushed on top of dry Piñata removes the shine. This is particularly effective on terra cotta surfaces or in faux finishing techniques where shine would detract from the overall effect. Spritz or brush layers of color over color. When wet, each layer will push aside the under layers creating amazing effects. Allowing each layer to dry will produce beautiful glazes and truly spectacular colors with clarity and depth. Add blanco Blanco to any of the Piñata Colors and achieva a completely new glowing range of pastel variations with a touch of opacity. Resists: Crayons: draw with various colors and apply Piñata. Wax.: following directions from the manufacturer, apply melted wax to fabric. Crinkle the fabric allowing the wax to crack, then apply Piñata. Iron the wax away to create beautiful batik effects. Gum Arabic: mix gum arabic with water to a heavy cream consistency. Apply this to a rubber stamp or paint it directly onto a surface. Apply Piñata. Gently wash away the gum arabic. Piñata Clean-Up Solution: Piñata Clean-Up Solution contains moisturizers to keep brushes soft and pliable. (TIP: Use regular rubbing alcohol to clean off most of the Piñata from brushes and sponges. Use the Clean-Up Solution for the final rinse to keep brushes soft and ready-to-use the next time!) Warning: Flammable • Eye Irratant • Contains: Denatured Alcohol • Keep Out Of Reach Of Children.
$6,95
High-Performance Single-Component Polyurethane Resin The perfect binder for white or light-colored pebbles. This resin has been specifically formulated to ensure an impeccable result in various applications. Thanks to its high gloss and transparency, and low viscosity, it offers a flawless, clear, and bubble-free result. Ideal for use as a binder for white or light-colored pebbles. Due to its optimal mechanical performance, it ensures an extraordinary result for creating continuous permeable floors that are durable and aesthetically pleasing. Consumption for Aggregate/Pebble Binder Depending on the chosen grain size, consider these indicative data for polyurethane resin for white or light aggregates: 7-10 mm – for 20-25 kg of aggregate, add 500g of polyurethane resin; 4-6 mm – for 20-25 kg of aggregate, add 650g of polyurethane resin; 2-4 mm – for 20-25 kg of aggregate, add 800g of polyurethane resin; 1-2 mm – for 20-25 kg of aggregate, add 1.2 kg of polyurethane resin; Note: It is advisable to verify the necessary amount of binder before application, as an excess of binder can cause swelling and foaming. The correct amount of binder is just enough to wet the surface of the aggregate without dripping. If you have any doubts, contact our support! These consumption rates are calculated based on the standard sale format of aggregates/pebbles, approximately 20-25 kg per bag. Primer For greater adhesion security, use Transparent Epoxy Resin as a primer for your surfaces: in this application, consider 150-200 g/m² applied with a simple roller; to ensure optimal grip, sprinkle quartz sand to refusal immediately after application. Resistance Excellent mechanical performance, with pebbles perfectly bound together and extraordinary resistance to yellowing. Main Features High transparency Excellent mechanical resistance Good chemical resistance and carbonation resistance High impregnation and reinforcement of technical fabrics Long working time Glossy and self-leveling surface High UV resistance for long-lasting creations - no yellowing High mechanical resistance for scratch protection Low viscosity reduces the presence of air bubbles after curing and facilitates carbon fiber impregnation Odorless and solvent-free Perfectly transparent and bubble-free thanks to its specific formula. Curing Time Complete curing is achieved in about 24 hours. Surface Preparation Apply on solid, compact, dry substrates that are not subject to capillary rising damp, clean, and free of oils and greases. Treat surfaces by shot blasting or sanding followed by residue vacuuming. Alternatively, a cementitious underlay or epoxy screed is recommended. The use of a suitable primer is recommended (see specific application cycle sheets). Product Use Mix the product with colored or monochromatic mineral aggregates of any grain size, using manual (low-speed drill with helical mixer) or automatic (concrete mixer) mixing. For a finished product with maximum chemical and mechanical resistance, use aggregates that are clean of oils or greases and free of moisture. The ratio of aggregate to binder is highly dependent on the shape, size, and porosity of the aggregate; as a guideline: 40:1 for 4-6 mm aggregate; 20:1 for 2-4 mm aggregate; 16:1 for 1-2 mm aggregate. Technical Assistance, Product info: Contacts
$50,49