Sun-resistant filler

Piñata Colors are highly saturated, fast-drying alcohol inks for any hard surface, including glass, metal, plastic, ceramic, stone, leather, resin, polymer clay, YUPO® and more. Indelible and impervious to water, Piñata Colors clean up with alcohol and re-wet themselves, allowing for unique effects and techniques not easily achieved with water-based inks. As a dye-based, highly transparent ink*, Piñata Colors are unparalleled for vibrancy. Only the most lightfast dyes have been selected for the palette. Acid-free with excellent adhesive properties, Piñata Colors are the go-to inks for all non-porous surfaces. TECHNIQUES fine arts, scrapbooking, crafts, faux stained glass, card making, resin arts, faux finishing techniques and staining wood and leather SURFACES glass, metal, plastic, vinyl, ceramic, stone, leather, epoxy resins, YUPO®, foil, wood, encaustic, Claybord™, fiberglass, acrylic, polymer clay and more Warning: using inks in percentages higher than 1% may alter the mechanical resistance of the creation. In order to create the Blast Effect, it is necessary to use the colour WHITE. https://www.instagram.com/p/BuTHQjWDUSX/?utm_source=ig_web_copy_link Instruction: These beautiful, color-saturated, acid-free, transparent inks have an alcohol base which makes them indelible and moisture-resistant when dry. That means you can work freely on most any clean, oil-free surface, and makes them the ideal professional product. Highly versatile, Piñata can be used in a variety of applications, including rubber stamping, fine art, fiber art, and scrap booking. Also use Piñata in calligraphy, faux finishing techniques, graphic and airbrush applications, as well as wood and leather staining. Techniques: Mixing Piñata with Claro — it will stay shiny and not change color. It extends the drying and working time. Claro is also a transparentizer. Claro dropped or brushed on top of dry Piñata will make it spread, creating rings of marble or stone-like texture. Slight dulling occurs, but most will remain shiny. Just like real stone! Mixing Piñata with alcohol produces a slightly lighter color. When sponging this mixture, expect to see tiny bubble-like textures. This is very effective in making background papers and other interesting textural faux effects. Alcohol dropped or brushed on top of dry Piñata removes the shine. This is particularly effective on terra cotta surfaces or in faux finishing techniques where shine would detract from the overall effect. Spritz or brush layers of color over color. When wet, each layer will push aside the under layers creating amazing effects. Allowing each layer to dry will produce beautiful glazes and truly spectacular colors with clarity and depth. Add blanco Blanco to any of the Piñata Colors and achieva a completely new glowing range of pastel variations with a touch of opacity. Resists: Crayons: draw with various colors and apply Piñata. Wax.: following directions from the manufacturer, apply melted wax to fabric. Crinkle the fabric allowing the wax to crack, then apply Piñata. Iron the wax away to create beautiful batik effects. Gum Arabic: mix gum arabic with water to a heavy cream consistency. Apply this to a rubber stamp or paint it directly onto a surface. Apply Piñata. Gently wash away the gum arabic. Piñata Clean-Up Solution: Piñata Clean-Up Solution contains moisturizers to keep brushes soft and pliable. (TIP: Use regular rubbing alcohol to clean off most of the Piñata from brushes and sponges. Use the Clean-Up Solution for the final rinse to keep brushes soft and ready-to-use the next time!) Warning: Flammable • Eye Irratant • Contains: Denatured Alcohol • Keep Out Of Reach Of Children.

3D – FINISH “Fast” Post-print coating for polishing and finishing 3D prints. Applied on any kind print, it makes the treated surface glossy, smooth and impact-resistant. Specifically developed to be used in 3D applications, it does not drip or cover small details, faithfully respecting all the shapes of the printing. Eliminates unevenness between the different layers; Glossy; Strengthens the mechanical resistance of the printing; Can be polished and painted. If you want to paint your printing according to your tastes, 3D Finish “Fast” can be coloured with colouring pastes and metal powders. Excellent adhesion and reinforcement on PLA, LAYWOOD, ABS. Fast and effective, it is an easy-to-apply solution to create finished items through 3D printing more quickly, improving their aesthetic uniformity and their impact strength. Thanks to its high mechanical resistance, it is also perfect to be used as a bonding agent between printings or to repair damaged 3D artefacts. We recommend to store the product in a dark, cool and dry place away from direct sunlight. The tools must be washed with IPA (isopropyl alcohol).  

Perfectly protected against the sun – the first clear UV-protection for the outdoors! All resins / woods turn amber in colour over time, but UV-Protection-Oil has been developed to preserve epoxy's clear colour and slow down the yellowing process by (UV factor) 12 times compared to untreated epoxy. Ideal for River tables, epoxy furniture, exterior design pieces, windows, doors, claddings, fencings and other complex joinery. Natural oil-based and microporous finish, it does not crack, flake or peel. Water-resistant and dirt-resistant, it is moisture regulating and minimise the damaging. Description Natural oil-based clear satin wood finish for outdoor use. The microporous surface allows the wood to breathe and reduces swelling and shrinkage. Water-repellent, will not crack, peel or flake. As top coat on already treated coloured wood, Osmo UV-Protection-Oil Extra significantly extends the intervals between each restoration. When used as a single product, with a two-coat application it prevents greying on vertical surfaces with a 12 UV-protection factor compared to untreated wood. Osmo UV-Protection-Oil Extra features active ingredients to protect the coating against the action of mould, algae and fungi. No need to sand before application, easy and smooth. During coating, the finish is still workable. Recommended use Osmo UV-Protection-Oil Extra is perfect for all vertical wood surfaces for outdoor use: doors, windows, window shutters (dimensionally stable parts), parking places, resin coatings, balconies, fences, pergolas, and holiday cottages (dimensionally unstable parts). Also suitable for bamboo poles (e.g. in screens). Ingredients Based on natural plant oils (sunflower oil, soybean oil, thistle oil and linseed oil), desiccants and additives. Biocidal active ingredient: Propiconazole. Dearomatized turpentine (benzene-free). EU limit value for this product (cat. A/e): 400 g/l [0,02 lb/oz] VOC (2010). This product contains max. 400 g/l [0,02 lb/oz] VOC. Detailed declaration of ingredients available upon request. Storage Up to 5 years and longer if the can is stored in a dry place and hermetically sealed. If thickened by frost, store for 24-36 hours at room temperature before use. Surface preparation Wood surface must be clean, dry and frost-free (moisture content max. 20%). Osmo UV-Protection-Oil Extra is ready to use and should not be diluted. Stir well before use. If possible, please apply the first coat to all sides before installation. Particularly oily timbers need to weather off (for approximately 6 weeks) after installation. Thereby the wood will gain more absorbent power and the finish will penetrate optimally. A coloured base coat is recommended, e.g. Osmo One Coat Only, Natural Oil Woodstain or Country Colour. For renovations, clean all old microporous wood finishes thoroughly. Freshen up greyed wood with Osmo Wood Reviver Power-Gel before applying Osmo Clear Uv-Protection-Oil. Old paints and lacquers must be completely removed. As a general rule, wear a dust mask during sanding. Do not sand smooth surfaces thinner than P120. The final result may be influenced by several factors, including the natural features of the wood. Therefore, a trial application is always recommended, especially for unfamiliar timbers. If you wish to have additional protection against blue stains, decaying and insects, you should pre-treat the wood on all sides with Osmo WR Base Coat. Technical data Specific weight: 0.9-1.0 g/cm³ [0,03 lb/in³] Viscosity: >50s DIN EN ISO 2431/3 mm, viscous Odour: faint/mild, odourless after drying Flash point: >60 °C [140 F] acc. DIN EN ISO 2719 Documentation ⏩ TDS ⏩ SDS

Global Distacc A Distacc Release Wax (Liquid) for Epoxy, Polyurethane and Acrylic Resins. The GlobalA A 2 200 L Liquid is a wax-based product for application with a pen or spray gun Resistant up to + 180 C The Global -a A distacc release agent (Liquid) creates a wax film on the mould surface and model, with a strong anti-adhesion action and high temperature resistance (up to + 180 C It is particularly recommended in the preparation of moulds and formwork in which to cast resin. You can apply it on wood, metal, plastic and even cardboard, making the surface perfectly anti-adherent in which to pour resin or other compounds in just a few minutes.   IT IS NOT RECOMMENDED TO USE LIGHTERS, HEAT GUNS OR DEVICES THAT INCREASE THE TEMPERATURE (FOR EXAMPLE WHEN YOU WANT TO REMOVE BUBBLES FROM THE RESIN OR ACCELERATE THE CATALYSIS TIME). Application-brush or spray gun Colour – - white It is a liquid wax release agent packed in 1 liter packs. It is a very effective detachment agent that can be applied by brush or gun. It dries quickly in 2-3 minutes and keeps all the details of the mould. This product belongs to the second category; work only with protective equipment during use. The second category of products - Air freshener, candles, pressed wood, mothballs, non-stick frying pans, plastic bottles. May have carcinogenic properties. CAUSES SKIN IRRITATION. THIS MAY CAUSE AN ALLERGIC SKIN REACTION. THIS MAY CAUSE DROWSINESS OR DIZZINESS. VERY TOXIC TO AQUATIC ORGANISMS WITH LONG-LASTING EFFECTS. HIGH PRESSURE BOTTLE: IT MAY EXPLODE WHEN HEATED. KEEP AWAY FROM HEAT SOURCES, HOT SURFACES, SPARKS, OPEN FLAMES OR OTHER SOURCES OF IGNITION. DON'T SMOKE. DO NOT PIERCE OR BURN EVEN AFTER USE. PROTECT FROM SUNLIGHT. DO NOT EXPOSE TO TEMPERATURES ABOVE 50°C/122°F DO NOT VAPORIZE OVER AN OPEN FLAME OR A SOURCE OF STRONG EXPOSURE TO THE EYES/FACE. DO NOT SPRAY IN THE ENVIRONMENT. contains: TETRACHLOROETHYLENE, heptane, HYDROCARBONS, C7, N-ALKANES, ISOALKANES CYCLIC.

Advantages of Two-component Epoxy Resin Adhesive Extreme strength and resistance to thermal and mechanical influences Resistant to most aggressive substances and oils Available solvent free and BPA free It hardens even under water Compatible with a wide range of additives such as dyes and accelerators Expedited Potlife Application – BestPractice At room temperature (15-30 C The mixing ratio of the two components of 1: 1 is maintained automatically. Do not apply below 5 C outdoor temperature. The higher the ambient temperature, the more effectively the material polymerizes. This means that resistance increases at higher temperatures. It is recommended to have a cloth ready for cleaning. In addition, care must be taken that the work surface is protected and can be cleaned directly if necessary. The surface should be slightly roughened, because only then is the epoxy adhesive guaranteed to bond well with the material. To do this, you can sand or file the surface. To spread the sticker, a piece of cardboard or plastic is useful. After use, clean the tube so that the lid does not stick, and then close it tightly. The thickness of the adhesive should be thin enough (0.1-0.2 mm), but if necessary it can be thicker. The parts to be glued must be clean and free of oil and grease. Apply the adhesive on one side and join and press the parts to be glued. The potlife is about 5 minutes, good endurance is achieved after about 10-12 minutes, and total endurance after about 24 hours. Pot life is limited in time and describes the maximum working time of the uncured adhesive. Once the pot life has passed, the adhesive not yet applied must not be further processed, but must be disposed of! Until the manual force is reached, the binding must be additionally fixed, for example, with the help of a vice, adhesive tape or clamp. In the case of heat-assisted polymerisation, the temperature resistance of the joined parts must be guaranteed. In addition, the heating and cooling times of the parts to be joined must be respected. This time must be added to the curing time of the adhesive. Tension can occur in the glued joint during heating and cooling. With materials such as PP, PE, PTFE or silicone, the parts need to be pretreated with our primer. The need for a primer depends on the surface tension. If this is high enough it can be tested with water droplets on the surface. If the drops adhere well to the surface, a good bond is most likely. If the drops slip away, a primer is probably needed.   Mixing There are several ways to mix the two components: - Mixing by hand - Use of a static mixing nozzle - Use of a dynamic mixing nozzle Hand mixing is sufficient in most cases. For this purpose, a toothpick or similar is used and the two components are mixed until a cloudy mass is formed. Make sure that no bubbles remain. When using a static mixing nozzle, the mixing of both components takes place inside the mixing nozzle so that the mixing is ideal. The first 2g should be discarded, given they are not yet mixed 1:1. However, the mixing nozzle can only be used until the adhesive in the mixing nozzle has dried. After that, you will need a new nozzle. W With a dynamic mixing nozzle, the speed of the mixer can be controlled electronically. This allows you to control the mixing intensity very precisely. However, this is intended for special industrial applications and is not necessary for everyday use. Harden The adhesive is chemically cured. This gives the advantage that gluing the surface is also possible, where adhesives that harden with moisture take a very long time. The bond is high strength and densely flexible. Thus, permanent resistance can be guaranteed in the event of shocks and vibrations. The use of the polymerised adhesive is also possible at high temperatures (up to about 120C), for a short time (30 min) up to 200C The polymerised adhesive has good resistance to physical (e.g. sunlight) or chemical (moisture, detergents, chemicals, etc.) influences. The great advantage of two-component epoxy adhesive is the fact that it hardens even under water and is robust. In addition, it is mouldable, so it can be inserted into any recess to fit.   Technical data Epoxy Resin                              Hardener Base (amine mixture) Viscosity High                           Viscosity Transparent                               Color Density                                        1.1 g / ml Gap filling capacity                  3mm Temperature resistance          -40 up to +120 C Pot Life                                         5 min Hand resistance                         10-12 min Final endurance                         24 hours Shore hardness                           60 Tensile shear strength               10 N / mm2 Module                                          E 620 N / mm2

Amber Onyx Effect Kit with Epoxy resin: The 2.49 kg kit (1.66 + 0.83) covers 1 square meter (+ 10 g Sahara white pigment + 25 ml white dye + 25 ml brown dye + 25 ml OXIDE yellow dye) The 4.15 kg kit (2*1.66 + 0.83) covers 2 square meters (+ 2*10 g Sahara white pigment +2* 25 ml white dye +2* 25 ml brown dye +1*25 ml OXIDE yellow dye)  The 8.33 kg kit covers 4 square meters (+ 4*10 g Sahara white pigment +4* 25 ml white dye +3* 25 ml brown dye+ 2*25 ml OXIDE yellow dye )  The 16.66kg kit covers 8 square meters (+8*10g Sahara white pigment +8*25ml white dye +4*25ml brown dye + 2 * 25 ml OXIDE Yellow dye)  Kit Contents: 2.49 kg, 4.15 kg, 8.33 kg or 16.66 kg of Art Coat Epoxy "Art Pro" for a high quality base  White Dye, Oxide Yellow Dye and Brown Dye from the "Colourful" Line for the perfect caramel stone shades -  White Metallica Sahara pigment for that extra touch of sparkle Each kit includes dyes and pigment in sufficient quantity for the amount of resin required.  Choose the Amber Onyx Effect Kit with Epoxy resin for an easy and elegant transformation of the worktop. Purchase your kit now and elevate your space with the warmth and beauty of caramel marble.  Guide Instructions:  Step N1: Primer  Start by carefully measuring the amount needed to cover the surface based on the consumption of 150 g/m2, making sure to follow the proportions indicated to obtain a homogeneous mixture. Once the base has been prepared, proceed with adding the dye, choosing between white or black depending on your needs. The quantity of colourant to add to the mixture can be measured in a few drops (max 5% by volume). This step is crucial to achieve the desired colour and ensure uniformity of the application.  Before applying the primer, it is essential that the surface intended for treatment is adequately prepared. Sand the surface with a coarse grit (40 or 60) before any operation. Make sure it's completely clean, using a soft cloth or brush to remove any pigment, dirt or debris. The surface must also be completely dry; residual humidity can compromise the adhesion of the primer and its effectiveness in sealing the surface.  Once the surface is ready, apply the mixture evenly, using a suitable tool such as a brush, roller or spatula, depending on the size of the area to be treated and your personal preference. The key is to get a thin, even layer that can cover the entire area without leaving gaps or excessive product build-up.. After application, it is essential to allow the primer to dry completely before proceeding with further treatments or finishes on the surface. The recommended waiting time is 12 hours; this range may vary slightly depending on environmental conditions, such as humidity and temperature, but offers a good compromise to ensure the mixture has time to dry and adhere properly. During this period, avoid touching or stressing the treated surface to ensure optimal results. Don't worry if you notice any discrepancies on the surface, the next main pour will level everything perfectly.  Step N2: application  Start by applying masking tape around the perimeter of your countertop to contain the epoxy you're about to pour. This step is essential to ensure the resin stays where it is needed. After applying the resin, wait about 1.5 hours before gently removing the tape. To ensure coverage is even and complete, plan to use approximately 1.6kg of resin for every square meter of surface area.  When you are ready to mix the resin, use a drill equipped with a paddle mixer for quick and even action (use at low speed), taking about 2 minutes for this operation. If you prefer to mix by hand, be prepared to take double the time. Don't forget to scrape the sides and bottom of the container halfway through the process with a stick to ensure all the material is mixed well. Next, separate the already mixed resin into different glasses and add the desired colours, mixing the different colours in the different glasses until you obtain an intense and uniform colour per single glass.  To create a striking visual effect, pour the coloured resin in random layers into a larger bucket, being careful not to mix the colours together too much. After filling the bucket, spread the contents over the surface of the worktop, leaving a small amount of resin aside to finish the edges later. To remove trapped air bubbles, gently run a propane torch or heat gun over the surface.  Once the adhesive tapes have been removed, approximately 1.5 hours after application, if there are any dry edges, moisten them slightly by wearing a protective glove to promote an even appearance. Use appropriate tools, such as spatulas or plastic scrapers, to spread and level the resin along the edges, making sure to cover the entire area well. After letting the resin cure for 24 hours, you can apply a clear top coat or PoliShield scratch-resistant paint to further protect the surface.  Finally, for even more refined visual effects, spray 99.9% isopropyl alcohol onto the surface just before the resin begins to fully harden. This will create unique lacy textures. Remember that when you remove the tape, it is essential that the resin is partially hardened, neither too liquid nor completely solid, to avoid unwanted drips.   Attention! Safety Guidelines for Using Isopropyl Alcohol (99.9%) Isopropyl alcohol (IPA) is a highly flammable substance. Improper use—especially near heat sources like torches or heat guns—can result in fire or explosion. To ensure safe use, follow these precautions: Primary Risks Highly flammable: IPA vapors can ignite from sparks, open flames, or hot surfaces. Forms explosive vapor-air mixtures, especially in enclosed or poorly ventilated spaces. Strictly Prohibited: Using gas torches or heat guns near areas treated with IPA. Spraying IPA near active heat sources. Storing IPA near flames, heaters, or hot tools. Recommended Safety Measures: 1. Ventilation: Always work in a well-ventilated area when using IPA. 2. Wait Time: After applying IPA, wait at least 5–10 minutes to allow complete evaporation before using any heat tools. 3. Safe Distance: Keep IPA containers at least 2 meters (6 feet) away from heat or flame sources. 4. Storage: Store IPA in a tightly sealed container, away from direct sunlight or high temperatures. 5. Fire Safety: Have a CO₂ or dry chemical fire extinguisher nearby when working with flammable substances and open flames. In Case of Fire: Do not use water to extinguish the fire. Use an appropriate extinguisher, cut off air supply if safe, and call emergency services if needed.

“1K NEXTCOLOR K300” top coat is the best product on the market within the category of one-component top coats, which are also known as 1K. Due to its unique physicochemical properties, “MACOTA K300” is particularly suitable as a polished finish for resins and wood. “MACOTA K300” stands out for its glossiness, its resistance to scratches and to almost all detergents (even the most aggressive), its non-yellowing and its UV resistance. Recommended for resins that do not contain phosphorescent pigment, wood and various types of surfaces. Its unique properties fulfil the requirements for the protection, the sanding and the polishing of resins that do not contain phosphorescent pigment, wood and various types of surfaces. Properties: Scratch-resistant protective finish; Prevents the yellowing of the resin UV-resistant Easy to apply; Reusable multiple times How to apply: The surface needs some rest two-three days before applying the lacquer, to avoid getting a wrinkled surface. Shake the can well before use so that the agitator ball can be heard rattling. Spray in smooth strokes from 15-30cm away. Coat the surface with a thin and even layer. Repeat the process 2-3 times for the maximum protection, allowing 15 minutes drying time between each coat. Storage - To prevent blockages, invert the can after use and spray for 2 seconds. This aerosol should be stored out of direct sunlight, in a cool well ventilated place. Consult the safety data sheet before use. The coverage is about 1-1.5 square meters. Warning: at first it develops a strong smell, which disappears once dried. Work in a ventilated area. How to apply:  During processing, use protective masks, gloves, and other protective clothing. In case of contact with eyes, immediately rinse with cold water for 15 minutes and immediately consult a doctor.  

"RAPHAEL" KIT for Pour Paint & Resin Art Create your unique painting with the "RAPHAEL" kit. Experience the countless mixtures and design the perfect artwork! The "RAPHAEL" KIT includes: TRANSPARENT RESIN FOR ARTWORK AND DIY 1.66 KG [3,65 LB] NEON PIGMENTS SET RECTANGULAR FRAME CANVAS 30*30cm WOODEN SPATULA * 5pcs NITRILE GLOVES INSTRUCTION "TIPS HOW TO WORK WITH EPOXY"   Transparent resin for artwork and DIY 1.66 KG [3,65 LB]. Transparent self-levelling UV-resistant epoxy system, which creates a hard and glossy protective layer for casting up to 1 cm [0,39”]. ART PRO, the epoxy resin for the artistic sector: thanks to its special formula and its dense structure, it allows you to create paintings with the "pour paint" and liquid paint technique. It does not leak out from the working surface, slowly reaching the corners of the frame. ART PRO preserves your original design and prevents any possible modification due to the casting of the resin: because of its special formula, the layers of colours do not expand and do not mix (unless you deliberately intervene), faithfully keeping with your creative idea! The surface is perfectly smooth and moisture-resistant. Solvent-free and odourless epoxy resin. Applications: - artworks, creation of art objects (paintings, panels, etc.) with the "fluid-art" (pour paint) technique (pouring up to 1 cm [0,39”]); - coating of surfaces, objects and furniture to add depth and brilliance to the colour; - create a 3D effect on prints, photos and images in general; - fixation of fillers (decorative elements, glass, stone, quartz, etc.) - creation of a perfectly transparent protective layer on your projects. The "ART-PRO" formula is specifically developed for coating in artistic applications. Compatible with colouring agents, powder pigments, alcohol-based and oil-based dyes, aerosol paints. Warning: the product is moisture sensitive, do not use on wet surfaces or with water-based dyes (e.g. Acrylics) Technical data: Usage ratio 100:66 (in weight) Pot Life (150 gr at 30°C) [0,33 lb at 86 F]: 1h20 ', Film (1 mm at 30°C) [0,03” at 86 F]: 6:00'. Full catalysis after 24 hours.   Neon Pigments Set. PIGMENTS WITH COLOURED BASE are perfect for decoupage, decoration and anything related to DIY. By simply adding them to resins, paints or varnishes, you can express your creativity with truly brilliant shades (neon effect!). WARNING: pigments do not glow in the dark, as they are not fluorescent.