Golden petal insert

Piñata Colors are highly saturated, fast-drying alcohol inks for any hard surface, including glass, metal, plastic, ceramic, stone, leather, resin, polymer clay, YUPO® and more. Indelible and impervious to water, Piñata Colors clean up with alcohol and re-wet themselves, allowing for unique effects and techniques not easily achieved with water-based inks. As a dye-based, highly transparent ink*, Piñata Colors are unparalleled for vibrancy. Only the most lightfast dyes have been selected for the palette. Acid-free with excellent adhesive properties, Piñata Colors are the go-to inks for all non-porous surfaces. TECHNIQUES fine arts, scrapbooking, crafts, faux stained glass, card making, resin arts, faux finishing techniques and staining wood and leather SURFACES glass, metal, plastic, vinyl, ceramic, stone, leather, epoxy resins, YUPO®, foil, wood, encaustic, Claybord™, fiberglass, acrylic, polymer clay and more Warning: using inks in percentages higher than 1% may alter the mechanical resistance of the creation. In order to create the Blast Effect, it is necessary to use the colour WHITE. https://www.instagram.com/p/BuTHQjWDUSX/?utm_source=ig_web_copy_link Instruction: These beautiful, color-saturated, acid-free, transparent inks have an alcohol base which makes them indelible and moisture-resistant when dry. That means you can work freely on most any clean, oil-free surface, and makes them the ideal professional product. Highly versatile, Piñata can be used in a variety of applications, including rubber stamping, fine art, fiber art, and scrap booking. Also use Piñata in calligraphy, faux finishing techniques, graphic and airbrush applications, as well as wood and leather staining. Techniques: Mixing Piñata with Claro — it will stay shiny and not change color. It extends the drying and working time. Claro is also a transparentizer. Claro dropped or brushed on top of dry Piñata will make it spread, creating rings of marble or stone-like texture. Slight dulling occurs, but most will remain shiny. Just like real stone! Mixing Piñata with alcohol produces a slightly lighter color. When sponging this mixture, expect to see tiny bubble-like textures. This is very effective in making background papers and other interesting textural faux effects. Alcohol dropped or brushed on top of dry Piñata removes the shine. This is particularly effective on terra cotta surfaces or in faux finishing techniques where shine would detract from the overall effect. Spritz or brush layers of color over color. When wet, each layer will push aside the under layers creating amazing effects. Allowing each layer to dry will produce beautiful glazes and truly spectacular colors with clarity and depth. Add blanco Blanco to any of the Piñata Colors and achieva a completely new glowing range of pastel variations with a touch of opacity. Resists: Crayons: draw with various colors and apply Piñata. Wax.: following directions from the manufacturer, apply melted wax to fabric. Crinkle the fabric allowing the wax to crack, then apply Piñata. Iron the wax away to create beautiful batik effects. Gum Arabic: mix gum arabic with water to a heavy cream consistency. Apply this to a rubber stamp or paint it directly onto a surface. Apply Piñata. Gently wash away the gum arabic. Piñata Clean-Up Solution: Piñata Clean-Up Solution contains moisturizers to keep brushes soft and pliable. (TIP: Use regular rubbing alcohol to clean off most of the Piñata from brushes and sponges. Use the Clean-Up Solution for the final rinse to keep brushes soft and ready-to-use the next time!) Warning: Flammable • Eye Irratant • Contains: Denatured Alcohol • Keep Out Of Reach Of Children.

Golden Leaf is a particular paint based on metallic purples, dispersed in a solution of petroleum resin and white spirit. Once spread, the product forms a highly effective metallized film. The product can be used for finishes in the field of decoration and hobby, it is resistant and very stable when used on substrates intended for internal use. To apply this paint, just put the desired amount on a brush with which you will slowly massage the work surface. Drying time: 24 h   The Golden Leaf series is available in 7 shades of different colors: Oro Ricco, Oro Pallido, Oro Ricco Pallido, Oro Zecchino, Oro Ducato, Rame, Silver.

Manual gas heat gun with adjustable flame and safety lock. An excellent tool to neutralize the bubbles which form during the pouring of resin. WARNING! Avoid keeping the flame too close to the resin and do not direct it always on the same spot (move the gun over the entire surface). If the resin excessively overheats, a film may form on the surface. The gun must be loaded manually with the gas included in the kit. How to use: Remove the cap from the container, and insert it into the hole below the gun. Press and hold down for about 20-30 sec to fill the gun. During this process, it is normal for part of the gas to escape.

High gloss Pop up metallic pigment: a touch of luxury for your resin creations Being a very light pigment, it easily rises to the surface and leaves golden streaks allowing you to create a unique style. Ideal for: Resin Art technique, Pour Paint (Fluid Art), decoupage, decorations (paintings, furniture, boxes, trays, coasters) Do it Yourself or DIY

Mini drill with helical tip, manual operation, effortless and durable. Suitable for the processing of resin, beeswax, wood, ivory, plastics and other soft materials. Perfect for precision machining that requires maximum delicacy. Includes different tip kits, easily interchangeable: 0.8 mm / 1.0 mm / 1.2 mm / 1.5 mm / 1.8 mm / 2.0 mm / 2.2 mm / 2.5 mm / 2.8 mm / 3.0 mm. Method of use: Unscrew the bottom and top of the drill, remove the additional parts and insert the tips. Choose a suitable nozzle for the diameter of the tip. Insert the tip into the nozzle and tighten the drill cover. For larger ends, use a nozzle with a large hole. The drill comes in a convenient metal box, which can then be used to store any object. Technique: mechanical-manual. It does not contain automatic devices. It is a mechanical hand tool. There are no descriptions available for this product.

36 Wt. UV lamp for UV resin/gel Perfect for curing UV resin and speeding up the cure time. Provides a glossy and dry surface within seconds. Thanks to its internal refraction system, it irradiates from ALL DIRECTIONS, hardening the resin in a short time. You can just leave the mould inside the box, with no need to keep holding the UV lamp in your hand. Save your time! Cures UV resin / gel nail polish; Lifetime of 50.000 hours, professional and DIY use; 36 Wt. UV lamp reduces the cure time of the UV resin/gel by 50 % compared with standard devices. Equipped with 36 LED bulbs; Automatic sensors and pre-set timers. The UV lamp is provided with automatic sensors that enable the lamp to start functioning upon insertion of the item. The sensors automatically stop the device if you pull out your creation; The lamp works with all kinds of LED and UV gels, including restorative gels and Nail Art; Nominal input: 100-240V 50/Hz 1A; Nominal output DC 12V 1.5A; Sizes: 12 cm x 19 cm x 7.5 cm [4,72” x 7,48” x 2,95”]. USB powered (plug not included)

Screw fasteners (100 pcs) are a great option for creating handmade gifts, and for pendants and earrings made from epoxy resin. Screw size: 7mm

Advantages of Two-component Epoxy Resin Adhesive Extreme strength and resistance to thermal and mechanical influences Resistant to most aggressive substances and oils Available solvent free and BPA free It hardens even under water Compatible with a wide range of additives such as dyes and accelerators Expedited Potlife Application – BestPractice At room temperature (15-30 C The mixing ratio of the two components of 1: 1 is maintained automatically. Do not apply below 5 C outdoor temperature. The higher the ambient temperature, the more effectively the material polymerizes. This means that resistance increases at higher temperatures. It is recommended to have a cloth ready for cleaning. In addition, care must be taken that the work surface is protected and can be cleaned directly if necessary. The surface should be slightly roughened, because only then is the epoxy adhesive guaranteed to bond well with the material. To do this, you can sand or file the surface. To spread the sticker, a piece of cardboard or plastic is useful. After use, clean the tube so that the lid does not stick, and then close it tightly. The thickness of the adhesive should be thin enough (0.1-0.2 mm), but if necessary it can be thicker. The parts to be glued must be clean and free of oil and grease. Apply the adhesive on one side and join and press the parts to be glued. The potlife is about 5 minutes, good endurance is achieved after about 10-12 minutes, and total endurance after about 24 hours. Pot life is limited in time and describes the maximum working time of the uncured adhesive. Once the pot life has passed, the adhesive not yet applied must not be further processed, but must be disposed of! Until the manual force is reached, the binding must be additionally fixed, for example, with the help of a vice, adhesive tape or clamp. In the case of heat-assisted polymerisation, the temperature resistance of the joined parts must be guaranteed. In addition, the heating and cooling times of the parts to be joined must be respected. This time must be added to the curing time of the adhesive. Tension can occur in the glued joint during heating and cooling. With materials such as PP, PE, PTFE or silicone, the parts need to be pretreated with our primer. The need for a primer depends on the surface tension. If this is high enough it can be tested with water droplets on the surface. If the drops adhere well to the surface, a good bond is most likely. If the drops slip away, a primer is probably needed.   Mixing There are several ways to mix the two components: - Mixing by hand - Use of a static mixing nozzle - Use of a dynamic mixing nozzle Hand mixing is sufficient in most cases. For this purpose, a toothpick or similar is used and the two components are mixed until a cloudy mass is formed. Make sure that no bubbles remain. When using a static mixing nozzle, the mixing of both components takes place inside the mixing nozzle so that the mixing is ideal. The first 2g should be discarded, given they are not yet mixed 1:1. However, the mixing nozzle can only be used until the adhesive in the mixing nozzle has dried. After that, you will need a new nozzle. W With a dynamic mixing nozzle, the speed of the mixer can be controlled electronically. This allows you to control the mixing intensity very precisely. However, this is intended for special industrial applications and is not necessary for everyday use. Harden The adhesive is chemically cured. This gives the advantage that gluing the surface is also possible, where adhesives that harden with moisture take a very long time. The bond is high strength and densely flexible. Thus, permanent resistance can be guaranteed in the event of shocks and vibrations. The use of the polymerised adhesive is also possible at high temperatures (up to about 120C), for a short time (30 min) up to 200C The polymerised adhesive has good resistance to physical (e.g. sunlight) or chemical (moisture, detergents, chemicals, etc.) influences. The great advantage of two-component epoxy adhesive is the fact that it hardens even under water and is robust. In addition, it is mouldable, so it can be inserted into any recess to fit.   Technical data Epoxy Resin                              Hardener Base (amine mixture) Viscosity High                           Viscosity Transparent                               Color Density                                        1.1 g / ml Gap filling capacity                  3mm Temperature resistance          -40 up to +120 C Pot Life                                         5 min Hand resistance                         10-12 min Final endurance                         24 hours Shore hardness                           60 Tensile shear strength               10 N / mm2 Module                                          E 620 N / mm2